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#1 | |
Member
Join Date: Apr 2021
Posts: 26
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#2 | |
Keris forum moderator
Join Date: Aug 2006
Location: Nova Scotia
Posts: 7,236
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But i think it might be a case where all pattern welded blades are laminated blades, but not all laminated blades are pattern welded. |
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#3 |
Member
Join Date: Dec 2004
Location: Ann Arbor, MI
Posts: 5,503
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Just a query: would it be correct to assume that the kris blade is laminated thru and thru and the dark edges are the result of differential tempering?
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#4 | |
Member
Join Date: Apr 2005
Posts: 3,255
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Hello Ariel,
Quote:
Regards, Kai |
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#5 |
Member
Join Date: Sep 2019
Location: France
Posts: 209
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Pattern welded : use of two different steel with different characteristics to produce a contrast (like keris)
Laminated/forge folded : use of bloomed steel, forge folded several times to purify it. The position of the bloom, in the furnace, will not be homogeneous in terms of carbon content. Which will produce different coloration during etching. Also, several layer can be seen (like Japanese sword). Not that if you use two different forge folded steel ingot with different amount of carbon and different composition, you can make a pattern welded blade. Wootz steel : crucible steel, made in a graphite crucible. It’s the composition + heating/cooling process which will give it the characteristics. |
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#6 |
EAAF Staff
Join Date: Dec 2004
Location: Louisville, KY
Posts: 7,320
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Ariel - usually the edges that are dark are due to tempering.
Indio_Ira - It seems so far that kampilans with hair are ceremonial. |
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#7 |
Member
Join Date: Dec 2004
Location: Ann Arbor, MI
Posts: 5,503
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Kai and Battara,
Guys, that’s exactly what I had in mind and was saying about the kris presented here: dark edges due to tempering. |
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#8 | |
Member
Join Date: Apr 2005
Posts: 3,255
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Hello Jose,
Quote:
Regards, Kai |
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#9 | ||
Member
Join Date: Apr 2005
Posts: 3,255
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Hello Julien,
Quote:
Pattern welding is probably more defined by the intention of the blade smith rather than actual contrast achieved though: In many cultures a more subdued contrast was appreciated compared to the bold pamor often seen with keris Jawa/Bali. Also the method to visualize the contrast varies widely (high polish in Japan vs topographic etch, warangan stain vs patina from use, etc.). Quote:
Regards, Kai |
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#10 | |
Member
Join Date: Apr 2005
Posts: 3,255
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In Indonesia, there also is the concept of planned and unplanned pamor: Complex, controlled pattern welding would usually be referred to as planned while more basic, "random" laminations are usually considered as unplanned. IMHO this is also somewhat off since for tight "unplanned" laminations you also need to have a clear intention, know how to achieve that and what you're doing, as well as having extensive control during your working processes. Moreover, there also seems to be a tendency to refer to some pamor motifs as unplanned since their "spontaneous" appearance is believed to enhance their mystic power. In many cases, I'm more inclined to believe that the blade smith did lend more than a mere helping hand... ![]() Regards, Kai |
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