![]() |
|
![]() |
#1 | |
Keris forum moderator
Join Date: Aug 2006
Location: Nova Scotia
Posts: 7,218
|
![]() Quote:
![]() |
|
![]() |
![]() |
![]() |
#2 | |
Member
Join Date: Oct 2008
Location: between work and sleep
Posts: 731
|
![]() Quote:
|
|
![]() |
![]() |
![]() |
#3 | |
Member
Join Date: Aug 2009
Posts: 338
|
![]() Quote:
The Moro martial arts seem to have a closer relationship stylistically to that of Indonesian and Bruneian Silat. Footwork is similar to indonesian silat, as are some stances when comparing to how different modern Arnis is. Blade movement seems, superficially, more similar to bruneian Silat. Again, these are conclusians I have drawn from observing what very little I have seen of Moro Martial Arts. The Moro martial arts seem older and more traditional to me, whereas visayan/luzon based escrima/arnis has a lot of european influence. The footwork in modern arnis is very similar to styles like Portugese Jogo De Pau. I may be digressing from the main topic, but as a side note I should add that Jogo De Pau is very recent, having been first recorded in history around the 1910's. It's a long stick art primarily, with a significant portion of training dedicated to short stick work in place of a sword, much like Arnis. here is an example of some Jogo de pau sparring. The basic strikes, blocks, and footwork seen in Arnis can be seen here as well, although arnis' footwork is less linear and more angular because of the S.E.A. influence. Arnis also employs the use of 'sticky', or trapping hands: possibly the influence of the chinese/taiwanese martial arts or perhaps even Indian martial arts with their use of a katar in the non-sword hand. We move in similar ways when we have a knife or no weapon in the non-sword hand. Last edited by ThePepperSkull; 31st August 2009 at 10:39 PM. |
|
![]() |
![]() |
![]() |
|
|