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#1 | |
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He explaned many years ago that the traditional fighting knives of his art were short double edged knives with a knuckle guard and a small spike to the base. They were gripped as daggers are with the blades facing down in the hand to facilitate that hooked wrist application found in the style. I was given a demonstration with two pieces of dowl. I was the attacker and ever so fluently the application dealt to me would have severed viens and arteries in my forearms, arms and neck and each strike to me drew me deeper in to the application. So effective is a weapon such as these with knuckle guards that one well trained in them could clear a room will ease. From the description of the knives given and noting they were always pairs I can not help with this it maybe where the WWI trench knives originated? I think the same can be said for the Hudiedao, very effective, what ever the length, different applications but the same effect...your disabled or dead. Gav |
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#2 |
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The double-dagger fighting style of Chinese seems somewhat unique... using daggers with leaf-shaped blades, points directed downwards... however I believe the reason why it was not the most emphasized weapon was because spears and swords were just as common in street fights and have much more range and power than small daggers. Knives were back-up weapons, last-ditch weapons, or assassination weapons... I think the term is "secret" weapons.
Wasn't Fairbairn-Sykes dagger based off the thugs' daggers he saw in Shanghai? Whether documented or not, the Imperialism in Asia led to a lot of cross-cultural exchange, perhaps the knuckle-dagger was inspired off Chinese daggers... maybe off Bichwa... or perhaps just an evolution of the knuckle-duster... just as the end-spikes and/or blades on the bagh nakh were developed to enhance it's versatility (and some bichwa had loops and claws attahced to do the same from the other end).I feel as though there is a lot of Chinese weaponry upon which light can be shed... the close-quarters weapons and training of them seems much less known compared to the four main Chinese weapons of the battlefield (qiang/spear, gwun/staff, dao/saber, jian/sword)... which don't seem to include what was very prolific - crossbows, bows, and arquebus ![]() From a martial artist's stand-point, some of these more obscure Chinese close-quarters fighting weaponry would be most useful today, where the big weapons are often illegal to carry, making the handgun, knife, and club the more common weapons... The same can be said about Indian close-quarters weapons (of which less is known outside of India) like bichwa, bagh nakh, and katar which seemed to have been overshadowed (in terms of emphasis and glory) by khanda, tulwar, spear, and pata...Thanks for continuing this discussion with me. I can say for sure that I'm learning quite a bit here! |
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#3 |
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A friend of mine who practises Wing Chun here says Baat Jam Do should integrate seamlessly with the standard forms practiced empty handed and simply become an extension of the body, which would make shorter bladed weapons more maneuverable and natural IMO.
There are plenty of training baat jam do available here, and lots of sharp ones too, but the quality is pretty iffy which is why I'm looking elsewhere. The ones available on the local market go for about $75 US. I'm not looking to pay $850 US for quality ones though. ![]() |
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#4 |
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It's interesting that Wing Chun aims to have the close-quarters weapons flow seamlessly from empty hand technique... because many Filipino martial arts say that their knife-techniques should flow easily into empty-hand moves... Approaching similar goals from different training standpoints?
But again, to my previous question: Did the "river-pirates" have formal training in their use?I've given this some thought so I'll share them... If the 'river-pirates' can be divided up into two types, seasonal and full-time, then it opens up even more possibilities. If they are seasonal like their seaside kin, then it seems likely that when the harvest is done or the great catches of the season complete (migratory fish schools), there is enough down-time for piracy. Well, in that case, it is likely that those villagers had some sort of "village kung fu" for the purpose of defending their lands and boats. That, and the more determined individuals could perhaps train harder in martial arts during the productive season and then "ply their trade" during the piracy-season. Perhaps? The other side of it is a full-time criminal, who, with his band of pirates, hides out along the riverbanks and in small, near impenetrable places and comes out to raid and pillage. So what do pirates do in their down-time? Practice fighting? Go back to their "normal" lives? Become merchants or smugglers (as some 'pirates' were both)? Eat, drink, smoke, and make love with captured or paid women? If the services of a martial artist were to be at the pirates' disposal, that could point us in a direction. I know in Taiwan, many martial arts teachers had (maybe still have) connections with local gangs. The same could/can be said about Chinatowns in the USA. However I don't know how far back this 'tradition' goes... and also if it was a widespread practice or just an individual choice. ![]() It is known that locals and pirates coexisted in many cases - perhaps pirates from one hometown enjoedd protection there and support, and perhaps they helped "redistribute" (forcefully) the wealth in the region. According to Tonio Andrade's How Taiwan Became Chinese, the village that later became Tainan was originally a small hamlet made up of fishermen and pirates. If you were a pirate who was friendly with a local village, perhaps the shifu-criminal training relationship could then develop? Perhaps in a river-and-sea environment, these pirates were the combination of smuggler, merchant, pirate, and militia for the seaside and riverside villages of Fujian, Guangdong, and Taiwan - and not always seen in a bad way by the locals? Chances are there were no hard-fast rules, and some were the equivalent of a village raiding party, some the militia, some just seasonal pirates with whom some villages had some friendliness, and some the rulers of the region... Just some thoughts Last edited by KuKulzA28; 11th August 2009 at 03:41 PM. |
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#5 |
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Hi Kukulz,
I think we can break the question down into a couple of parts. 1. Was there a "river pirate kung fu?" I'd guess probably not, at least in the sense of having a structured school with long sets and a lineage. While I'm quite sure they trained together, the thing is, on a boat, there isn't much room. That limits the kinds of things you can do with any weapon, which negates the need for a training school. I'd guess that a lot of the pirate's blade work was sort of like the Nepalis and their khukuris. They're always using their blades for whatever is needed, so they're naturally adapt at basic combat (i.e. they can hit whatever they swing at, because they use their blades daily for all sorts of things, and that gives them a high level of basic practice). 2. A lot of riverside villages would have had a resident martial artist to help train the village/clan militia (this was the situation in China for centuries), and I'm sure some of those people trained pirates. Possibly, some of those martial artists were current or former pirates themselves. I'd also bet that there was a lot of communication between the pirates and the martial artists, and they'd talk about what did and didn't work in various situations, possibly even train together. As I noted above, I don't think it quite rose to the level of a pirate kung fu school though. Best, F |
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#6 | |
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From what I know of Chinese culture, having grown up around it, organized crime has always been part of life and here in HK, the triads are everywhere--even some police officers are sworn triads, and the entertainment business is one big racket. Bruce Lee himself was connected with the triads. I'm sure there must have been pirates with martial art training, so there might well have been a few baat jam do on pirate ships along China's coastline. Just looked through this book (http://books.google.com.hk/books?id=...age&q=&f=false) and there is no mention of baat jam do, but who knows? |
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#7 |
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Thanks for the simple break-down fearn! Great resource harimaukh.
![]() The part about the pirates' weapons and arsenal was very cool. Makes me wanna make some of those weapons, if I could.... I could sure put some Chinese pirate stink bombs to good use ![]() So I guess the level of training was uneven and informal... some had more, some had less... some were seasonal... others were full-time pirates with deep connections on the coasts and inland.... all depended on your guan shi... networking as we call it today ![]() |
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#8 |
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For your enjoyment.
I enjoy old kungfu movies, all one sided in this movie as is NOT the case in real life. http://www.youtube.com/watch?v=8KS18...eature=related Gav |
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#9 | |
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#10 |
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Hi,
The style you ask of is from memory Chow Gar Tong Long. Thanks Gav |
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#11 |
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Out of curiosity, but not willing to start a new thread (and bumping a good one), are there Chinese names for the different Hu-dieh-dao / bat jaam do?
Needle tips, hatchet points, fat blades.... single blade, double blades... ? Or are they all called Hu-dieh-dao? ![]() |
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#12 |
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This article and all others Ben has written are worth book marking.
Ben is well versed on the Kukri and Chinese martial studies. Specifically relating to the Hudiedao; http://chinesemartialstudies.com/201...-martial-arts/ The source, Ben's wonderful and very well written site with some interesting perspectives...its well worth digging through the archives too. http://chinesemartialstudies.com/ Gavin |
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