Sumatran Jawa Demam - Anak Ayam Sejuk - Birdman/Garuda?

[A. G. Maisey]

This "Ceribon hilt" thing has been moving in the back of my thoughts for a while now. I'd like to see some sort of clear answer on this, and I do not believe we yet have one.

I'm not going to provide an answer in this post, but just add a little more food for thought.

In 1949 a book was published that was the result of a request received by the Royal Batavia Society of Arts and Sciences, from the Indonesian Department of Education, Arts and Sciences. This book was intended to serve as a textbook in the school system, and in technical and training colleges in Indonesia. The patterns published were taken mainly from objects in the Society's museum.The book is "Indonesian Ornamental Design" (Ragam-Ragam Perhiasan Indonesia), and the author is A.N.J. a`.Th. Van Der Hoop.

The three hilts shown with this post are identified in this book as of Ceribon origin.

CORRECTION:- ONLY THE LAST IS CERIBON, THE OTHER TWO ARE FROM ELSEWHERE IN JAWA.---thank you Michael.

Please note particularly the "Jawa Demam" example.

[A. G. Maisey]

The hilt shown here is from my own collection. I had thought that it was Sumatran, but in light of the example published by Van Der Hoop, perhaps it is not, perhaps it is Ceribon, or at least, North Coast Jawa.

[A. G. Maisey]

Lastly, these other two hilts for comparison.

[VVV]

Thanks for bringing new light to this!

When looking at the arm-position of the discussed hilt it's a hybride of the old hand on the knees position and the folded-arms position of the old Banten-Cirebon&Tegal-North Coast "Raksasa" hilts.
On the illustration from van Dapperen I find it hard to see how much of a "beak" it has (compared to the Sumatran Jawa Demam)?
Note that the fingers of the left hand are straight up, not down as your later example, which maybe relates it more to a mudra?
As a correction I also would like to bring up that only the last hilt of the illustrations are specifically Cirebon. The first two are "Middle Java" and "Java". IMHO "Ditto" in the book refers to "Cris heft of ivory", not " from Cheribon".

Michael

[A. G. Maisey]

Van Dapperen, Michael?

Do you mean Van Der Hoop, or is Van Dapperen a separate reference?

On the "dittos", yes, I think you're right. I just went back and had another look at that text. Makes a difference if one wears glasses when reading it.

But still, Ceribon or Jawa, or Middle Jawa, I'm not really too fussed about. What I find interesting is this distinctly Jawa demam pattern being associated with Jawa. I've never seen anything anywhere that would suggest that this pattern is a Jawa pattern, but Pak Gonjo seemed pretty sure of himself, so he must have some solid evidence somewhere, and publication in this textbook intended for use in Indonesian educational institutions seems to put it beyond doubt.

Yes, you can't see the head shape in the Van Der Hoop illustration, and this still leaves room for doubt.

However, at this moment I am still puzzling over exactly how and where this Jawa demam form fits into the range of Jawa hilts of which we are certain.
I don't think I want to get into discussion of hand positions at this point, because from my perspective we are still trying to find some sort of certainty on the overall form. If we can achieve that, then maybe we can consider the detail.In any case, you can bet on it that when it was carved, it was carved in conformity with a specific pattern, and the carver himself probably didn't have the vaguest idea of what he was carving:- we see a mudra; the carver saw something that he'd been taught to carve.

[VVV]

My fault,

I mixed up vd Hoop with v Dapperen, the authour of a Dutch article on keris hilts, and an otherwise quite productive ethnographer.
Makes a difference if one has had a breakfast espresso, or not, before posting...

I look forward to more comments on Alan's post.

Michael

[Marcokeris]

Another Jawa Solo (?) hit from classic Bezemer's Indonesische Kunstnijverheid