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#1 | |
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Member
Join Date: Jun 2008
Posts: 89
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the two sides of the handle's pommel are not just ears. They are actually heads of the turkish mythical bird, anka-- Turkish for phoenix-- this is also known as simurgh or senmurv, a persian (iranian) word. Turkey and Iran, genetically, share the same haplogroup, G. The philippine's version of anka is sarimanok. In malay, angka means figure. In short, the pommel of yataghan is anka among the turks and angka among the malays. Yataghan is from yate (gate) and gan (beginning). Yataghan is "beginning of the gate." This is not only about the duty of a warrior to guard a leader but also a folklore known in Islam. The story goes that Sarimanok or anka was found by Muhammad in the seventh heaven. It is said to be the guard of heaven when the day of judgment comes. In Roman Catholicism, the guard of heaven is St. peter who is depicted with a key and a rooster. I am still researching which influenced which. Yataghan is also a symbolic sword in Islam. Suleiman the magnificent had a yataghan inlaid with jewels and gold. Ahmed Tekelu made it for him "as a weapon for the defender of the faith." (Our Sacred Signs by Ori Z. Soltes) Even the use of kakataw from cockatoo is not really correct. I have no idea how kakataw and cockatoo as a word and an image became related to kris or kalis when the tausugs, maguindanaos, maranaos, etc. know that muhammad's phoenix (or rooster) is definitely bigger and holier. Sarimanok would have been saribon in the philippines if its a tiny bird. |
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#2 | |
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Member
Join Date: Dec 2004
Location: Virginia
Posts: 520
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If you are looking for The Ottomans in Aceh a path towards the the Philippines the link below is a paper you may find interesting entitled "Ottoman-Aceh Relations Accordingto the Turkish Sources" Ismail Hakkı GÖKSOY Suleyman Demirel University, Faculty of Theology, Isparta, Turkey Presented at First International Conference of Aceh and Indian Ocean Studies 24 – 27 February 2007 Here is the link http://www.ari.nus.edu.sg/docs/Aceh-...akkigoksoy.pdf I hope it proves helpful Last edited by RhysMichael; 1st July 2008 at 06:51 PM. |
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#3 |
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Keris forum moderator
Join Date: Aug 2006
Location: Nova Scotia
Posts: 7,250
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I would just like to add a word about similarity of form. In the world there are just so many shapes. Every culture has a fascination and deep seated mythologies about birds. They are often used as motifs in all of these cultures and when stylized the similarities become even stronger. As a trained percussionist i have often marveled at the similarities between the ritual rhythms of various cultures spread all across the globe. I was recently noting a rhythm in some Indonesian music that sounds very much like one i know that originated in the Congo. There are, infact, root rhythms that transcend all cultures. This is not because these cultures have had contact with each other. It is merely the nature of things.
Someone just recently pointed out the pyamid at Candi Sukuh in Jawa to me. Let us compare it to the Mayan temple of Chichen Izza. So what do you think Baganing. Did the Mayans make their way to Jawa in the 15th century and influence the temple form at Candi Sukuh. ![]() ....of course, there is always my old favorite, the aliens from space theory...
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#4 | |
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Member
Join Date: Feb 2005
Location: Chicago area
Posts: 327
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#5 | |
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Member
Join Date: Jun 2008
Posts: 89
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#6 | |
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Member
Join Date: Jun 2008
Posts: 89
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I have no doubt that Islamic arabs from middle east reached the malay archipelago, but dna mapping suggests that they did not last long for their haplogroups did not take root in the malay archipelago. Maybe they are just traders or traveling missionaries or even ancient tourists like ibn batuta. Early yatagans have no anka pommels, but the blades were inlaid with gold and jewels using anka motif. Later when the yatagans got anka pommels, the inlaid bird motifs, generally, could no longer be found on the blade. the yatagan of suleiman the magnificent is the good example. |
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