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#1 |
Member
Join Date: Sep 2007
Location: Australia
Posts: 96
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Hello all,
Sorry for resurrecting this dreadful creature, however after a vinegar etch this was the result. I am interested in learning what construction method was used to make this, laminated? I have no idea and would be appreciative of any help received ![]() Kind regards, Dan |
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#2 |
Member
Join Date: Dec 2004
Location: Greensboro, NC
Posts: 1,087
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It would appear that this blade is laminated. I have seen similar "patterns" on barong blades from the Philippines. The real open pattern, I believe, is from minimal folding of the blade.
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#3 |
Member
Join Date: Mar 2007
Posts: 407
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This is far from my area of knowledge, but is there a chance this could be a Korean piece? My minimal understanding of Japanese blades is that the tang is tilted at an angle to the blade, while Korean pieces will have a tang that follows the blade contour. Also, the tip is a much more common shape in Korean swords than in Japanese swords which usually show separate faceting. I would suggest a close look at the Korean stuff in "History of Steel" for more similarities.
Vietnamese sabers also copied the Japanese look, and had crude Japanese style guards like the one shown, but the hilt would be completely different, so I will stick with my Korean guess. Josh |
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#4 | |
Member
Join Date: Dec 2004
Location: Kernersville, NC, USA
Posts: 793
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I could be way off though, and that could be the actual pattern in the steel. Steve |
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#5 |
Member
Join Date: Apr 2005
Posts: 3,255
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Hello Dan,
I'm with Steve here and also believe that this pattern might be a staining artifact... Degreasing is paramount and being generous with the etchant (or submersing the whole blade) also helps to reveal real patterns. Regards, Kai |
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#6 |
Member
Join Date: Dec 2004
Location: Bay Area
Posts: 1,666
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I have seen this effect as well, and interestingly enough, it was on a barong blade. I etched the blade a few times, and each time a got a pattern that looked like this, but always in a different way, which was enough to convince that I was not etching properly. My initial reaction when I saw the pictures was the same as Steve's, but I just wanted to see what other members had to say.
Regards, Teodor |
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#7 |
Member
Join Date: Dec 2004
Location: Greensboro, NC
Posts: 1,087
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You guys bring up a good point and this could be what we are seeing especially given the length of blade. However, in my experience, a blade with an active pattern usually "pops" fairly quickly and it is the blades with minimal folding that need much more coaxing to bring out what pattern, if any, is there. Steve, your suggestions are a great way to make sure it is being soaked properly. Another beneficial method would be to do multiple vinegar soaks and in between after a good rinse and wipe off to give the blade a good once over with a very fine grit paper, and then repeat process over.
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#8 |
Member
Join Date: Sep 2007
Location: Australia
Posts: 96
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Hello Gentlemen,
Thank you for taking the time to share your thoughts and collections ![]() I did degrease this piece with white spirits, however I was called away for about 30 mins during etching process so it is possible that the etch is dodgy. I have tried to remove etch with vigorous rubbing with 0000 wool, I can't remove it. Should I use 2000 grit paper and etch again? I have included pics of an earlier etch using lime juice. Perhaps I should consign this to the unkown sword category? I do believe that this item is not monosteel but am open to correction. It is not of Japanese origin as has been established earlier. Thank you again for taking the time to express your thoughts on a piece that has little value on this forum ![]() Kind regards Dan |
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#9 |
Member
Join Date: Mar 2007
Posts: 407
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That one looks better. I still see some etching artifacts though. I like to take 4000 grit paper to a blade after etching. It gets rid of stains quickly but leaves an understated pattern behind.
Josh |
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