![]() |
|
![]() |
#1 |
EAAF Staff
Join Date: Dec 2004
Location: Louisville, KY
Posts: 7,280
|
![]()
It also looks like you have at least one bismallah (name of God) and a Qur'anic verse.
Masterful work done on this - beautiful! ![]() |
![]() |
![]() |
![]() |
#2 | |
Member
Join Date: Jul 2007
Location: Virginia
Posts: 539
|
![]() Quote:
Thanks, rand |
|
![]() |
![]() |
![]() |
#3 | |
EAAF Staff
Join Date: Dec 2004
Location: Louisville, KY
Posts: 7,280
|
![]() Quote:
![]() |
|
![]() |
![]() |
![]() |
#4 |
Member
Join Date: Jul 2007
Location: Virginia
Posts: 539
|
![]()
Hi Battara,
The kilij at start of thread is all gold inlay, its type of channel cut with gold pressed into it. The use of koftgari did become more popular in the 13th-14th centuries when certain alloys were in short suppy, especially silver. This change is reflected on brass/bronze metalware of that period. As far as Suleymans sword posted above I have no idea what type of gold application was done, but we can assume price was no object. Would be very interesting to find out the answer to your question. Thanks, rand |
![]() |
![]() |
![]() |
#5 |
Member
Join Date: Jul 2007
Location: Virginia
Posts: 539
|
![]()
Hey Battera,
Some of the inlay had a triangular punch overlaping grooxe made that the gold was applied into, there was a further line incised around the perimeter that marked the edged of the letter and I assume also helped adhere the gold to the blade. rand |
![]() |
![]() |
![]() |
|
|