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#1 | |
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Join Date: May 2007
Location: J a k a r t a
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Yes, the "gagrak anyar" (new era) kerises of Solo is much different with the nom-noman (new) Yogyanese kerises. New Yogyanese kerises are more Mataram's style, old style (although the kingdom is younger than karaton or palace of Solo). And the new Solo style is really new, in the style of the form of the blade, ganja (quite easy to recognize). But the new Yogyanese, sometimes difficult to recognize whether it is nom-noman or older Mataramese. The most different, is the tip of the keris. Mataram kerises and also Yogyanese kerises, are usually with "nyujen" (a kind of a very sharp-pointed leaf) type, but the tip of Solonese mostly (not all) "anggabah kopong" (like an empty grain of rice). But very, very seldom -- or maybe never -- new Solonese tip of kerises with "nyujen" type... Ganjawulung |
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#2 |
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Join Date: May 2007
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[QUOTE=ganjawulung...The most different, is the tip of the keris. Mataram kerises and also Yogyanese kerises, are usually with "nyujen" (a kind of a very sharp-pointed leaf) type, but the tip of Solonese mostly (not all) "anggabah kopong" (like an empty grain of rice). But very, very seldom -- or maybe never -- new Solonese tip of kerises with "nyujen" type...
[/QUOTE] Addition: and also the type of "mbuntut tumo" or "like a hair-flea"... |
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#3 |
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Join Date: May 2007
Location: J a k a r t a
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Dear All,
These pictures below, show you two "ladrang" types of Solonese sheaths. But they are different in basic form. The first (right) form is the type of "Ladrang Kadipaten" (usually for Pangeran or Prince and for people who has the same degree or level), and "Ladrang Capu" for oldies... Please regard the Capu's pendhok, is not made of metal but wood! It was handycrafted by the mranggi (keris-sheath maker) with patience. No machine can make such wooden pendhok, I think... Ganjawulung |
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#4 | |
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Join Date: May 2007
Location: J a k a r t a
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#5 |
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Join Date: Apr 2005
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Ganja, thanks for posting these comparisions!
That scabbard with wooden pendhok is really great craftmanship! And the wood is just gorgeous... (:-)::: ![]() The pendhok functions as the complete backside of the scabbard, I assume? Regards, Kai |
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#6 |
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Join Date: Aug 2005
Location: Australia
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Ganja, I am astounded by that wooden pendhok. Is that inlay along the front edges, if so what is inlayed? That is amazing craftsmanship.
DrD |
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#7 | |
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Ganjawulung |
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#8 | |
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I have asked Mas Min (I don't even know his komplit name, but he is around 44-45 years of age) -- the maker of the wooden pendhok -- about this carving. According to Mas Min (he is a Solonese mranggi), the white colour in the cukitan is not white paint, but crushed white bone mixed with wooden glue and then wiped after it put on the carving... Ganjawulung |
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#9 | |
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Join Date: May 2007
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I just took off the pendhok from the scabbard to be photographed. Please see the pendhok, put on the scabbard in the first picture. The pendhok was especially made for that "ladrang capu" (please spell as chapoo...). So, it was made of different wood... Ganjawulung |
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#10 | |
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The name of the wood is "pilisium" or in Latin, Filicium decipients. You can find such trees in many places in Jakarta. Actually, the colour of the inner wood is white. Easy growing, and softer than Akasia... Ganjawulung |
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#11 | |
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Join Date: Apr 2005
Posts: 91
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I am very interested in the pilisium wood. The pendok is amazing - I have never seen anything like it. I am currently creating a traditional kebun of aroun 3,5 hectares in a remote part of Ngawi and would very much like to be able to plant some pilisium trees. You wouldn't be able to point me to the right direction to obtain seedlings would you? And while I am at it, I would also like to plant trees like trembalo, timoho, kemuning, kemuning werut and other types of trees traditionally used for warangka making. If anyone has access or knows of seedlings of these plants I would be gratefull. Especially if they are available in the Yogya-Solo-Madiun area. By the way, ground bone (used as a pigment) and glue (used as a fixer) is paint. Thank you very much in advance, Bram |
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