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3rd May 2007, 04:56 PM
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#1 |
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Member
Join Date: Mar 2007
Posts: 407
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Absolutely, stylistic anachronisms are common and a source of much interest. One of my favorite areas of study is the connection between Tibetan and Chinese swords. The Tibetan swords maintained the Tang dynasty style blade that early Japanese blades were based on. There are many examples of styles appearing hundreds of years from when they were most common. There is a whole class of usually short jian with iron fittings that are in a Ming style but which may be late nineteenth century. I have not talked with anyone who can definitively tell when they were made. In my own collection I have a Yi minority chopper that looks exactly like the Song dynasty shoudao that are depicted in Thomas Chen's website. I am fairly certain my chopper was made between 1920 and 1950.
One of my great hopes is that the carbon dating techniques being developed for steel will find their way to museums so that we can finally have some definitive dates. (http://radiocarbon.library.arizona.e...pplication/pdf) Josh |
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3rd May 2007, 08:15 PM
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#2 |
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Member
Join Date: Dec 2004
Posts: 987
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Antonio,
Why is it that just the tip was polished? It's a beautiful effect, but seems sort of curious. I don't know if this one is typical, but it also seems to be a "deeper" polish than the lighter polish Zhou described, which is intended to look like clouds (as opposed to moving water, I suppose). |
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3rd May 2007, 08:44 PM
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#3 |
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Member
Join Date: Nov 2004
Location: USA
Posts: 1,725
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Mark, I think we're seeing an artifact of the lighting and angle. The way the sword was photographed looks like it highlights the tip, rather than the blade. A slight adjustment would likely blurr the tip and bring the blade polish into focus.
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3rd May 2007, 11:53 PM
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#4 |
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Member
Join Date: Dec 2004
Posts: 987
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Ah. So its the fact that it has that facetted tip geometry, not that the tip is polished differently from the rest of the blade.
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4th May 2007, 12:08 AM
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#5 | |
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Member
Join Date: Mar 2005
Location: Macau
Posts: 294
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Quote:
It was polished differently from the Chinese traditional way, but there was a change in geometry as you say below. I purposedly focused the tip and my own shadow darkened the lower part of the blade, so Andrew is right. This would give birth to the so called yokote in the Japanese blade. In the Jomon period chokuto both from China and Korea (ring pommel swords) were used mainly for stabbing, hence the ring to use the hand for pressing/pushing. Many people think of Katana just for cutting, forgetting the stabbing purpose. |
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11th May 2007, 03:35 PM
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#6 |
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Member
Join Date: Mar 2007
Posts: 65
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Hi ,
Feedback to say that my wife has phoned me to say that the catalogue from Macau has arrived ! So all seems to be in order re purchasing from the link recommended. Can't wait to open the packet . Thanks everyone |
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11th May 2007, 06:34 PM
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#7 |
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EAAF Staff
Join Date: Dec 2004
Location: Louisville, KY
Posts: 7,363
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I am FREAKED! (and not just a freak
 ). Even my wife was impressed (and her eyes glaze over when you say "sword"  ) . Better than I was expecting - being used to small flimsy exhibition catalogs. Pictures are fantastic and large - a great resource for me. I love it. Your folks should be commended. Maraming Salamat! 
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12th May 2007, 12:01 AM
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#8 |
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Member
Join Date: Aug 2005
Location: Australia
Posts: 373
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My copy arrived yesterday as well, it is fantastic. I could become a lot stronger carrying it around
The people at the Macau end sorted out my ordering errors without any fuss at all. Very highly recommended on all fronts.Thanks to everyone involved.cheers DrD |
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21st May 2007, 06:52 PM
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#9 |
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Member
Join Date: Dec 2004
Posts: 755
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MARVELLOUS!!
TODAY HAD ARRIVED MY COPY AND IŽN VERY HAPPY!!! THANKS!! CARLOS |
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22nd May 2007, 02:46 AM
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#10 | |
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Member
Join Date: Mar 2005
Location: Macau
Posts: 294
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Quote:
Macau Post Office is one of the fastest in the world to my knowledge. It is amazing that the mail men don't know Portuguese at all, but the mail never gets undelivered. Oh, and Kong Seng, the Mother Company from where you ordered is very reliable. Otherwise the Museum would not use it. Thank you 
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22nd May 2007, 02:43 AM
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#11 | |
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Member
Join Date: Mar 2005
Location: Macau
Posts: 294
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Quote:
I guess we like to freak out people. The thing is that Macau is a tax paradise and the Chinese are extremely laborious people like all South East Asians, so they work really hard and because there are no taxes, the machinnery is much more affordable and really high tech. Then the paper is Japanese and again it does not suffer taxes, so the end product will cost less than 1/8 of what it normally would cost in Europe or North America. Well, thanks my friend, but I have in the past refused commendations but you guys who contributed are the guilty ones I'm really glad you all kept in the boat, because what counts is a honest and honorable stance in life and we do appreciate your trust in us at the Museum Maraming Salamat to you too 
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3rd May 2007, 11:57 PM
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#12 | |
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Member
Join Date: Mar 2005
Location: Macau
Posts: 294
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Quote:
We are in total agreement. I'm totally alien to Tibetan blades so I'm not the right person to ask. So far I understand that the Silk Road played an important part on the connection, but not necessarily exclusive. We once thought about the Met in NY for collaboration but the Weapons curator was busy with an exhibition on Tibetan swords. You should check out about it.
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Hybrid Mode
