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#1 |
Member
Join Date: Dec 2004
Location: Switzerland
Posts: 139
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Thank you Alam Shah for your analysis.
I join here a few pictures of this kris patrem. You can see that the ganja was made in several layers of welded iron. I had real difficulty to weld such a small piece as to maintain the heat for such a small piece is a difficulty that Alan Maisey will certainly explain better than I can do. You can also see my difficulty in silvering the the mendak made in copper ! I love the Hulu that I find very elegant. It has a specific name which I cant recall ! Hulu Jambi or Palembang ? The sampir was in fact recovered and is to my knowlege palembang but the gandar was remade in the closest wood I could find here in Switzerland but it is not too good. I will make an other message for your the other remarks Michel |
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#2 |
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Join Date: Dec 2004
Location: Switzerland
Posts: 139
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The next is the rencong Aceh.
I love these weapons with their very surprising handle. For this one I made everything from the blade to the sarong and handle. As I could not find horn or rather black horn nor ebony ((I had to purchase a 100kg piece for a 100gr need !) I replace it by black colored pear tree wood. The top and bottom par are in gnarl of oak. (excresence of the wood that gives interesting colors and forms as in the kemuning. i.e the eye in the middle of the sheath made by Nik Rashidin) So much for this one ! A first look at the other rencong: simple but nicely done. Sheath and handle in horn. Michel |
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#3 |
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Join Date: Dec 2004
Location: Switzerland
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Let us now look at that very short kris panjang !
I found it already broken and with a very ugly piece of wood as handle. I am still surprised at the width of the gandar that Nik produced. The reason must probably what you explain : The panjang form have similar shorter forms known as bahari, alang and anak alang. And I guess he wanted also to show the perfect stria of the "senoh" wood The hulu jawa demam and the buntu are wery well done. The next phtos deal with this strange kris jawa(?). No conclusion to be made on the sarong and sampir as I made it with the wood I had here. I made an error in the angle between the sampir and the gandar. I have been also very simple with the buntut. The hulu is particular and has been discussed on the forum a few years back. Nobody was able to trace its origin. I found it in Jogjakarta. Michel |
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#4 |
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Join Date: Dec 2004
Location: Switzerland
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I made an error in naming the first weapon a Badig. It is a Tumbuk Lada or peper crusher, at least in Malaysia. I think is a beauty. The shape, the blade, the sampir, evry part is perfectly made without overdoing them.
the next two are Kerambit or Lawi Ayam Origin unknown but bought in Peninsular Malaysia Thats all for tonight ! Michel I have to replace the photo of the kerambit , I will do it later. have to go Well, I cannot change this picture, I will have to send a new message. Last edited by Michel; 13th March 2007 at 09:01 PM. |
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#5 |
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Join Date: Dec 2004
Location: Switzerland
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Ok the order of the photos is not perfect but I have not found how to change them.The first is a sewa made for a friend and I cannot find any view of the blade. I remember that I was rather happy with it. the equivalent of the mendak was in brass and was quite a chalenge.
The second photo is the kerambit mentioned earlier. I like it. The third is the lawi ayam with a bad photo of the previous post. Michel |
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#6 | ||
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Join Date: Jan 2005
Location: Singapore
Posts: 1,248
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![]() Quote:
![]() [Examples of sewar], (courtesy of VVV). Quote:
![]() ![]() Last edited by Alam Shah; 15th March 2007 at 12:22 AM. |
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#7 |
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Join Date: Dec 2004
Location: Switzerland
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Sorry Alam Shah to be so late to thank for all your remarks but I have been very busy and away so that I did not have the time to answer.
I suggest we close this thread, that started with a kris patrem definition ! I will be coming back with other questions. Thanks to all who were kind enough to give their points of view. Michel |
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#8 | ||
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Join Date: Jan 2005
Location: Singapore
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The sheath is in the debek form of the northern Malay Peninsular and Southern Thailand. This sheath which is made in Kelantan, leans more towards the kelantanese aesthetics, thick and broad batang (gandar). The buntut style, is in the pantat lipas form. ![]() [Similar example] of a kelantan made sheath, by Nik Rashidin's brother. For comparison, note the wood, sheath style and sheath end-piece. Quote:
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#9 | |
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Join Date: Jan 2005
Location: Singapore
Posts: 1,248
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![]() Quote:
![]() [Some examples] ![]() |
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#10 | |||
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Join Date: Jan 2005
Location: Singapore
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Have a look at these. The base of the selut are narrower, preferbly fits nicely like the 1st example. These seluts are normally made of silver or white metal. Ive seen some made of 'suassa', (an alloy mix of gold, copper and sometimes other metals). These are softer materials and easier to work with. (pictures courtesy of BluErf) [Palembang Selut example 1], [Palembang Selut example 2] Quote:
(pictures courtesy of BluErf) [Palembang gandar 1], [Palembang gandar 2] Just some comparisons, for our mutual references. ![]() ![]() |
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