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			Join Date: Jan 2006 
				Location: Kent 
				
				
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			Hi Emanuel, 
		
		
		
		
		
		
		
	the Flyssa is slightly unusual...IMHO....it fits the overall description of one. Nice sword either way. As to the curve being formed from an originally straight blade......as the sword is forged, the curve would have been formed early in the making of the sword. To form the curve on an already forged straight blade would be more trouble than its worth...I believe it would be easier to forge a new blade. The one that caught my eye is the wavy edged Shamshir....I am wondering whether its wavy edge enhances its 'cutting abillity' when used with a 'slash' type blow.  | 
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		#2 | 
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			Join Date: Dec 2004 
				Location: Ann Arbor, MI 
				
				
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			The exhibition describes it as an "Uzbeki Shashka". Very strange. I am quite uncertain about the validity of IDs: there is a typical Qajar Revival sword with a very usual point, described as Zulfiqar  
		
		
		
		
		
		
		
	     However, the ax is an Uzbeki Ay-Balta, the shamshir has a collar of turquoise on the throat of the scabbard ( you even can see a part of it in the picture showing the hilt of the "'shashka") and provenanced as the gift of the Emir of Bukhara to the Tsar, and the karud also has the same collar on the bolster. Assuming the Uzbeki attribution is correct, we can go on a very, very long limb: is it possible that the blade is the ancestor of both Laz Bicagi (Black Sea Yataghan) and Flyssa? I can see the proverbial fan turning my way..... Duck...  
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		#3 | ||
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			Join Date: Jul 2005 
				Location: Toronto, Canada 
				
				
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			 Quote: 
	
   Ariel. That's the little demon that got in my head when I saw this. The decorations are stylistically kabyle though, so at some point this sword was in Algeria (compare the second and last pics). That such decorations endured from uzbeks to be used by kabyles is a long limb indeed.Quote: 
	
 ![]() Thanks for the comments, Emanuel  | 
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		#4 | |
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			Join Date: Dec 2004 
				Location: Ann Arbor, MI 
				
				
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			 Quote: 
	
   The damn BSY/Flyssa story is so incredibly complex and confusing that my trip along a very, very long limb is likely to end in a fall. Straight into something very unpleasant. Wait until Jim reads these rantings! He will take us to task, no doubt...  
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		#5 | 
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			It's bloody obsessive isn't it?  
		
		
		
		
		
		
		
	  I'm certainly calmer now that I've seen the type of inlay on it. I'm thinking it's just another variant of flyssa produced in Algeria to different specs. I just haven't seen a curved example so far, this may be the first. It makes it quite beautiful, even more graceful than the "usual" kind.  | 
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		#6 | 
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			Join Date: Apr 2005 
				
				
				
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			Ariel, back up cautiously, mind your way-- that limb had already snapped with a mighty crunch under the weight of the St. Pete curators' description before you got (far) out on it.   
		
		
		
		
		
		
		
	Slight curvature in normally straight blades, or the reverse, need not alarm the good souls of the forum... these are simple variants which indicate the preference of the owner-- perhaps he preferred the drawcut. This particular weapon is unquestionably and entirely attributable (and as a flyssa, naught else) despite its seeming scoliosis-- no doubt imparted by the fall. Perhaps the curator landed on't. Ham  | 
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		#7 | |
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				Location: Ann Arbor, MI 
				
				
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			 Quote: 
	
 My first, second and nth thought about this St. Pete's sword is that the curators goofed in attributing it to C. Asia. The curvature doesn't deter me from attributing it first and foremost to N. Africa. Up to here it is simple. My ( imaginary) trip along the limb was, in a way, a question: does anybody know of any C. Asian sword similar to this one? Should we ask Borat?  | 
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