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#1 |
Member
Join Date: Nov 2004
Location: USA
Posts: 1,725
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Hi Alan,
Excellent, many thanks for the explanation. Although certainly distinguishable, this reminds me a bit of the current state of Japanese sword making. Cheers, Andrew |
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#2 |
Member
Join Date: Dec 2004
Location: Cincinnati, OH
Posts: 940
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David, your keris is indeed very elegant. I was a fraction of a key click away from ordering that one myself, but opted for two others in that particular catalog instead. I have always loved the simplistic beauty of this particular dapor and the way the blade widens as it nears the tip. I think you made a fine choice in this very well made modern piece.
Mudi, i as well am very curious just who it is that you believe qualifies in this modern day to carry the title of Empu. Could you perhaps give us a name or two? I also tend to agree with BluErf that the keris you posted from your father is an older Bugis (from Sulawesi) blade dressed in very recent clothes that were most probably made in Bali (albeit in a Sulawesi style). By your own standards of classification that would mean this is not a Bugis keris at all. Maybe it is Balinese then. ![]() ![]() |
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#3 |
Member
Join Date: Oct 2005
Location: Germany
Posts: 18
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Hello drdavid and Rick,
it would be nice to see the lower part (sor-soran) of the blades better. Best you rise the blades from the background putting a small filmbox below. This neutralize the shadow and we could read the lower blade better. The greneng and gandik are important for the aesthetic of the blade. Thanks |
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#4 | |
Vikingsword Staff
Join Date: Nov 2004
Posts: 6,339
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I am traveling at this point ; when I return home I shall add I shall raise the sorsoran for a picture . |
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