A naginata ... real or fake.

[Ren Ren]

Originally Posted by fernando

Let us then give a chance to a wider notion of perfection.
Suppose, in my imagination, i find evidence that the item in discussion was brought back by Portuguese navigators during the XVI century or so.
I would clearly reject any proposal to swap it for any 'common' example in pristine condition ... with ID card and all.
No doubt my Naginata is not indicated for Nihonto perfectionists but, would be the 'perfect find' for me .

I had the good fortune to see this amazing screen a few years ago in Moscow at an exhibition dedicated to Portuguese navigators. Unfortunately, there were almost no weapons there (which I hoped in my heart). But there were wonderful objects of the XV-XVII centuries from Japan, China, India, West Africa, which changed my point of view on the works of that era. In particular, Japanese lacquerware is very different from our usual products of the XIX-XX centuries. The same can be attributed to Chinese porcelain.

In my opinion, Japanese weapons of the XVI-XVIII centuries located in European museums and got there before the lifting of the ban after the Meiji restoration, is an interesting subject for scientific research. In addition to the very fact of its presence, this weapon can tell a lot about the diplomatic, trade and cultural ties between the states and peoples of the East and West. I am sure that in Portugal they can tell a lot about this to the whole world. And it is hard to imagine how much we could have known if the Great Lisbon earthquake of 1755 had not destroyed so many artifacts and documents of the history of navigation.

[fernando]

Originally Posted by Ren Ren

I had the good fortune to see this amazing screen a few years ago in Moscow at an exhibition dedicated to Portuguese navigators. Unfortunately, there were almost no weapons there (which I hoped in my heart). But there were wonderful objects of the XV-XVII centuries from Japan, China, India, West Africa, which changed my point of view on the works of that era. In particular, Japanese lacquerware is very different from our usual products of the XIX-XX centuries. The same can be attributed to Chinese porcelain.

In my opinion, Japanese weapons of the XVI-XVIII centuries located in European museums and got there before the lifting of the ban after the Meiji restoration, is an interesting subject for scientific research. In addition to the very fact of its presence, this weapon can tell a lot about the diplomatic, trade and cultural ties between the states and peoples of the East and West. I am sure that in Portugal they can tell a lot about this to the whole world. And it is hard to imagine how much we could have known if the Great Lisbon earthquake of 1755 had not destroyed so many artifacts and documents of the history of navigation.

Absolutely, Ren Ren. I see that you are well informed. In the great exhibition "ENCOMPASSING THE GLOBE - Portugal and the World in the 16th & 17th Centuries (organized by the Smithsonian), several examples of Japanese/Portuguese cultural exchange, the so called Nanban Art, may be seen; from which a powder flask, a couple of Nagenashima muskets ... and a Christian Japanese ( note the crucifix).


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[Ren Ren]

Originally Posted by fernando

Absolutely, Ren Ren. I see that you are well informed. In the great exhibition "ENCOMPASSING THE GLOBE - Portugal and the World in the 16th & 17th Centuries (organized by the Smithsonian), several examples of Japanese/Portuguese cultural exchange, the so called Nanban Art, may be seen; from which a powder flask, a couple of Nagenashima muskets ... and a Christian Japanese ( note the crucifix).


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Thanks Fernando! These are rare and wonderful examples of Japan's cross-cultural connections.

[fernando]

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[Kmaddock]

Sorry
Just back on grid this morning,
Glad the plan worked out
Regards
Ken

[fernando]

Thanks much, Ken.

Best.
Fernando