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			Up till now I know of three depictions of a tapering Gandar with a scroll at the end - Panataran, Kertolo statue in Museum Pusat and the photograph by Kinsbergen of the Pusakas of Pagar Ruyung. Pagar Ruyung sheath of course could be made at later date, echoing the earlier form. 
		
		
		
			Worth to notice that the tip on all three specimens scrolls out on the Gandhik side. Just as a side note regarding Piha Kaetta, which appears always to be linked to the Kingdom of Kandy indeed, there is one interesting curiosity - Golok La Nggunti Rante, a state heirloom of Sultanate of Bima, which is a Piha Kaetta. It is depicted and described in "Court Arts of Indonesia", and with a question mark dated to the 15th cent. Last edited by Gustav; 7th April 2022 at 11:17 AM.  | 
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		#2 | 
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			One more remark regarding Panataran carving. 
		
		
		
			On Pagar Ruyung Keris Gandhik doesn't protrude beyound the outline of blade, which is typical for "old style" Jalak Budho. Accordingly the sheath has no protruding part at the Gandhik side. Keris on Panataran carving also has no protruding Gandhik. The sheath on Panataran carving could be a similar one to Pagar Ruyung sheath, without a protruding part on Gandhik side. Because of the hand covering the "joint" place we visually have the impression of one, but actually the outline may continue at that place. Of course the Panataran carving is quite rough. The sheath on Kertolo statue has a different shape at that place, suggesting a blade with protruding Gandhik or perhaps even some sort feature on it. Last edited by Gustav; 7th April 2022 at 02:49 PM.  | 
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		#3 | 
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				Location: Kaboejoetan Galoenggoeng Mélben 
				
				
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			Hullo everybody!  
		
		
		
			![]() Just dropping this in. May be of use to someone. Best, DOEHOENG Pangéran Papak (aka "Lam Lam Ha" Galeuh Pakoean / Ki Dongkol) : Current location: reputedly with Ibrahim Adji’s extended family. 1515: gifted to Widjaja Koesoemah II / Ad. Liman Sandjaja (Limbangan) by Rk. Santang / Rj. Sangara. 1575: Upon the death of Widjaja Koesoemah II, it was passed down to his son / successor, Tmg. Wangsa Nagara and subsequently down the family line. 1863: (when these photographs were taken): in the possession of Rd. Wangsa Moehammad (Pg. Papak), of TjiNoenoek Garoet. 1899: in the possesion of inheritor/descendant Wangsa Di Nata. 1936: surrendered by Wangsa Di Nata to Sekar Madji Maridjan Karto Soewirjo of Daroel Islam (DI/TII) 1962: upon his capture, surrendered by Karto Soewirjo to Brig.Gen. Ibrahim Adji , CO of Military Region (KoDaM / DIV.) VI: SilihWangi, who by coincidence, shared the same ancestry as Pg. Papak. Exhibited as part of Operation Restore Peace during The Bandoeng Industrial Exhibition. LANDÉAN: PwahAtji WAROEGA: Form: Betok Kérak Notes: - inscription appears to be Al Baqarah 2:255 NOT 2:256.(But then, I haven't used Arabic since infant school.) - could not see any " Lam Lam Ha" inscribed on blade. As usual, should there be any deficiencies or incorrect info, please DO let me know.  
		Last edited by Amuk Murugul; 14th October 2022 at 07:10 AM. Reason: word correction  | 
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			 Quote: 
	
      
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			 Quote: 
	
 Thanks for the info, kang Amuk. My Arabic is also rusty, but I'd like to offer an alternative. In the first horizontal photo, reading from top right I do not recognise this to be in Q2:255 , which in Islam is the Ayat al Kursi - an important prayer for many occasions but most commonly for protection against evil and, in Indonesia, for Islamic exorcism. Instead, what I can make out is: 
 Both of these phrases are adhkar (plural of dhikr) - words or utterances intended to be repeated as a way of remembering God. Kind of like a mantra. This 2nd one is informally called the hawqala. The hawqala portion is not that clear to read so I welcome any correction. But it would make sense that this is included. The hawqala is a refrain used quite often as a way of reconciling that which could be taboo or forbidden, with mainline Islamic beliefs. There are plenty of Muslim Indonesians who believe in the idea that a keris can bring luck or blessings, or make them do extraordinary things. In most interpretations of orthodox Islam this is idolatry - everybody knows this. So the hawqala is used to reconcile the fact that the keris has powers, but all power is eventually from God (as opposed to its tuah as conferred to it by an mpu, for example). The hawqala is not from the Qur'an - it is from recorded Prophetic narrations, which are an inseparable part of Muslim theology and practice. The rest of the inscriptions are too unclear for me to make out. I might return to it to have a crack at another time. But I would not be surprised if it was more adhkar. As for Lam Lam Ha - these are the last three Arabic letters that make up Allah, the first one being Alif. It is common in Muslim esotericism to find that individual letters (huruf) are used in this manner. I believe this stems from the Muqatta'at - the "disjointed letters" of the Quran that open some of its chapters. The only consensus about these letters in mainstream Sunni Islam is that they're deliberately mysterious and that only God knows what they truly mean. Obviously that's too enticing an invitation for a mystic. So esoteric Islam thereafter found ways of interpreting and using these letters to approach the sacred through hidden symbolism. Last edited by jagabuwana; 14th October 2022 at 08:28 AM. Reason: Quotation added for clarity. Sentence structures modified for clarity.  | 
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		#7 | 
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			Amuk, thank you.
		 
		
		
		
		
		
		
		
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		#8 | 
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			Hullo everybody!  
		
		
		
			![]() Just dropping in these photos. They may be informative for someone. Best,  | 
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