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#1 |
EAAF Staff
Join Date: Dec 2004
Location: Louisville, KY
Posts: 7,310
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What a great piece! Love these when they are in silver and in filigree. Belonged to a noble?
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#2 |
Member
Join Date: Oct 2010
Posts: 418
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Marc,
This is off topic, but since you are a blacksmith you no doubt have experience in applying stamps to metal. Your experience could help in identifying dates & origins of imported and locally made blades. The question: would a maker's mark or other stamp be applied with the strike of a hammer to a relative soft sword blade just after forging or after the blade had been quenched and drawn? We see marks attributed to a retailer after a European blade was imported, or maybe as fake marks to impute quality, etc. Also, some marks are a identified as rack or inventory stamps applied in an amory, etc. Would a sword blade be softer at forte area that may not have been quenched and accept a stamp better? This may be why makers marks are often seen under langets. Best regards, Ed |
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#3 | |
Member
Join Date: Mar 2010
Location: Olomouc
Posts: 1,719
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#4 | |
Member
Join Date: Aug 2019
Location: Belgium
Posts: 293
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Ian's answer is correct , the steel of a swords blade has to be able to parry a blow from a sword, cut, chop and stab the oposant, so it should not be to hard so it is soft enough to do the cold marking. As Ian said hot markings are deeper, done with hammer or press. If i had to choose a place to put the marking on the blade, it would be the ricasso/ forte if their is one or near the crossgard, that area should not be to hard, edge's shoult be harder, not the place to make a mark. So both techniques where used. Hopefully this answers your question a little bit. Best regards Marc |
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#5 |
Member
Join Date: Jan 2011
Posts: 1,123
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Interesting that you see this as being a trade blade. My own has exactly the same style, and I took it to be a local product.... No stamps, which is one of the reasons I did no think it a trade item.
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#6 |
Member
Join Date: Mar 2010
Location: Olomouc
Posts: 1,719
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The piece in the original post looks to have a ricasso. Not something I recall seeing on locally made blades. I'd attribute your example as local manufacture as you supposed.
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#7 |
Member
Join Date: Jan 2011
Posts: 1,123
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I don't see a ricasso, I see thickened edges where the langets are, but not the actual squared off section that you have with a ricasso. Perhaps the author can confirm or deny.
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#8 |
Member
Join Date: Mar 2010
Location: Olomouc
Posts: 1,719
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#9 | |
Member
Join Date: Aug 2019
Location: Belgium
Posts: 293
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There is no classic ricasso, the fuller stops against the crosshandle. I see this as a ricasso where the fuller runs through. I recall reading an older thread about the same type of ricasso on a single wide fuller blade like on my kaskara, probably an european import blade. The blade on your kaskara looks to be of a good quality. Its not so important for me if it's european or native, as long as it's used and well made. Best regards Marc |
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#10 |
Member
Join Date: Oct 2010
Posts: 418
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Thanks Iain & Marc for the clarifications. In my ignorance I would have thought the heat treated blade would be considerably harder than one freshly forged and considerably resist a hammer blow on a stamp die. I guess commercial dies as one piece with complex designs were applied either cold or hot per their depth often with a hydraulic press. Makers marks like those used by Kassaka smiths were made with a series of small simple dies also cold applied. No doubt smiths only wanted to "sign" their work after it was complete and proven of quality.
Thanks again, Ed |
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