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#1 | |
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Join Date: Jan 2005
Posts: 176
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#2 | |
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Join Date: Dec 2004
Posts: 655
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#3 |
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Join Date: Jan 2005
Posts: 485
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i agree with all (except the 14thC date of course).
i think the blade could go as early as the 17thC, and the hilt can so as late as 19thC, so ariels 18thC is a safe bet. i do feel a strong possibility that the blade is earlier than the hilt, so a possibility the inscription was put on during this refit. there are many claims on SFI, many of which are unfounded unfortunately. i look forward to any new book on oriental arms as my library is as important as my collection, but i fear the 'expertise' there is on history and language, and definately not on arms. it seems the presence of inscriptions and placement in a museum seems to be 'proof' in some opinions. not here i'm pleased to see ![]() |
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#4 |
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Join Date: May 2006
Location: Magenta, Northern Italy
Posts: 123
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The pictures taken in Venice are mine. As a quiet good NihonTo expert I would suggest that using such poorly made pictures for a Kantei (sword judgment in japanese terms) is a very bad idea no matter how great is the knowledge. On SFI it has been clearly stated in the topics that he date is mismatching by 25 years, and this is notorious to the monks too.
Calendars changed during the time and documents about the swords are not available for consultation, YET. Me an Manouchehr aren't searching for an Indiana Jones cheap notoriety but only to find what is really in the Sancta Sanctorum of San Lazzaro degli Armeni. I've personally got in touch with the father superior rev. Elia (surname omitted for privacy, makes your own research...) in order to handle and measure the blade directly, as well as to have a translation of the inlaids that are mainly Psalms. CHRISTIAN Psalms. If we're allowed to make it, stay sure we'll post results and EVIDENCIES here too, no matter about the results. The blade is armenian. PERIOD. If it has been made in XVII c. by an iranian bladesmith with iranian or indian wootz, and in the classical iranian shape, it is treasured by the Mechitarist as the sword of the last Armenian King in the site that holds most of the whole cultural heritage of Armenian people. Till to evidencies of the contrary will be given by someone here with a too big mouth and possibly with some problem with Manouchehr, it still retain the title of the sword of the last armenian king, for respect to the Mechitarist word. We all know the myth and swords walks together but to find out truth needs ability, time, knowledge and ACTION. Manouchehr is trying to go to Venice in order to find out the truth. As a NihonTo collector and amateur I'm very little interested in the matter but I feel hurted the way it is managed here just to have a support that is not found on SFI, might be with a good reason. More respect is due to the blade, the Mechitarists and Manouchehr. BTW the sword is freely available (with a thick glass in between...) to everybody by decades. Get a ticket to Venice and prove Manouchehr is wrong before he proves he's right... As for me, I'm going to oil my newly arrived Naginata. Cheers to all. |
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#5 |
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Join Date: Jan 2005
Posts: 176
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Beautiful first post Tsubame1, very friendly. I said, and still stick to my claim, that this is a Turkish made, 17th century blade, with later Persian fittings, and probably much later gold inlay. This isnt out of pure speculation, but according to Anthony C. Tirri's* great book, "Islamic Weapons, Maghrib to Moghul" (see page 130). The claim that it belonged to a 14th century Armenian King is still unproven, and never be proven, I believe.
*Anthony C. Tirri is a scholar of Islamic arms and history, who has handled more pieces than anyone I know probably, and his collection contains hundreds of beautiful pieces. Last edited by M.carter; 30th May 2006 at 11:44 PM. |
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#6 |
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Join Date: Dec 2004
Posts: 655
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Well, as a big mouth guy, I replied on swordforum, basically repeating what I said here. Here I just probably tell 3 anecdotes, two happened with me in real life, 1 is an old georgian story.
When I was interested in nihonto I once saw a picture of a martial artists holding an unusual sword - judging by proportions the blade alone was 41 inch or so. I asked one of the collegues of the martial artist on the photograph about what kind of sword is it. Response was series of "how you can judge a sword based on the photographs ??? How can you ask such disrespectful questions, while the martial artists is a great ...., whose ansestors where strategists during the civil war ? What evidence do you have that this sword ...". Well, I did not get any information on this sword, but I certainly learned not to ask questions in nihonto community, unless one wants to get this kind of response. Just sent you stuff to NBHTK and bow before the great senseis. Second anecdote relates to an armenian kindjal recently posted on the forum. I have decided to ask one very prominent (probably _the_ most prominent) armenian professor for his opinion on the grammar and language on the kindjal. Him being a dashnak I expected something bad to happen (sorry, my predisposition towards them ![]() The last anecdote is just a georgian joke. There are actually quite a few of them, don't know which one to tell. There is really funny (for me) about great armenian poet-physicist Gazon Zaseyan. There is one about archeological dig, where one can see a poster "Komrades Georgians ! Komrades Armenians ! Please, stop damping your utensils and porcelin in our archeological dig - just because you do so, this place will not become more 'historicall georgian' or armenian". |
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#7 |
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Join Date: Dec 2004
Location: Ann Arbor, MI
Posts: 5,503
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A bit of history: Mechitarists are Armenian Roman Catholics. The order was established in 1701 in Istanbul, by one Mechitar Petrosian whose life mission was to convert Orthodox Armenians into Roman Catholicism. For that he was expelled by the Armenian community and the Venetians gave him the St. Lazzarro in 1717. Mechitarists collect Armenian artifacts and provide education to Armenian boys who are willing to convert.
This, in my opinion, is yet another piece of the puzzle: the connection with the Western, Catholic sources and the bias to prove that ancient Armenian kings were Catholics. The fact that Mechitarists accept the Leon V/14th century attribution of this sword proves nothing about it's true provenance. They wanted it to be Leon's! How many times all of us bought embarrassing junk on e-bay because we wanted it to be our Dream Blade? I am sure that they did, and continue to do it, out of good intentions and not for any nepharious purposes or perpetration of a hoax. Blind faith, however, is not a good councelor. They could have brought an experienced museum curator who would have given them the facts. But... what religious faith had ever tried to puncture it's own balloon? IMHO, the claim that this sword is Armenian is incorrect: there is nothing Armenian about it except the inscription. The claim that it is Persian is even more problematic: it ignores it's Kilic-like form and the astounding similarity with other Istanbul-made pieces of the same time period. To form conclusions on the basis of Damascus assumes that only Persians were capable of making it. The claim that it is 14th century is embarrassing, to say the least Still, I admire Tsubame1 for his true Bushido spirit of loyalty to his master. No hard feelings and no seppuku, OK? ![]() ![]() |
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#8 | |
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Join Date: Dec 2004
Location: Ann Arbor, MI
Posts: 5,503
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#9 |
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Join Date: Dec 2004
Location: Ann Arbor, MI
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A short quote from the original description of the monastery where this sword is exhibited:
"There is the one that is belived to be the sword of the very last King of Armenia. The golden inlay on it says it belonged to Leone V, dated 1366, but the monks said it is slightly historically inaccurate" Well, slightly....Rivkin is absolutely correct: the dates do not agree. How could one overlook this glaring discrepancy ans still accept the " 14th century Persian" origin of ths sword, is beyond belief! First thing I did when I read the story, was to google Leon V: it all went downhill from there on.... |
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