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#1 |
Member
Join Date: Mar 2010
Location: Olomouc
Posts: 1,717
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Wasn't this a timeline auctions piece?
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#2 |
Keris forum moderator
Join Date: Aug 2006
Location: Nova Scotia
Posts: 7,218
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Thanks for the responses so far. They support some of my own suspicions about it. The motifs definitely do not seem to fit the purported time and place.
Ian, i am unfamiliar with Timeline Auctions. But as i mentioned in my earlier post i believe this sword was sold some tome ago by Peter Finer. I will not post any links to his website so as not to break forum rules, but he seems to be a rather well established dealer in fine antique arm & amour in London. The description i posted was credited to him. As far as i know he has a rather good reputation, however, such things are often meaningless in these cases. |
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#3 | |
Member
Join Date: Mar 2010
Location: Olomouc
Posts: 1,717
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#4 |
Member
Join Date: Dec 2004
Location: Ann Arbor, MI
Posts: 5,503
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I am surprised at the intactness of inlay on the background of rather deep rust and cavitation.
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#5 |
Member
Join Date: Apr 2017
Location: Sweden
Posts: 755
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As a Swede I don’t particularly recognize the decorations as traditional viking style. Look more Celtic to me. Could it be an Irish iron age sword? Also looks like some kind of strange baton depicted in the decoration on one side?
Although not very knowledgeable on viking swords I understand that kind of pommel is more associated with Frankish swords. I was also surprised that the decorative elements survived so much better than the underlying material although silver and gold don’t corrode like iron. |
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#6 |
Member
Join Date: Dec 2004
Location: Ann Arbor, MI
Posts: 5,503
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It is not so much a matter of corrosion of the silver and gold: it is the matter of rusted steel.
With this (fully expected) condition of the blade, the channels into which the wire is hammered get destroyed and the wire just falls out. Not a single part of the inlay is lost here despite pronounced rusting. IMHO, this is very suspicious for a relatively recent application of the inlay in carefully chosen sections. Several Forumites here have already commented on the incompatibility of the sword itself with its decoration. This, IMHO, further strengthens the suspicion of a later ( recent?) applications of the lnlay by a not very informed engraver. Similar situation is seen very often on Indian blades, only there it is more often koftgari instead of deeper inlay: intact koft on the background of pockmarked steel underneath. Kirill Rivkin, in his book about “ Eastern sword” mentioned that as the evidence of “prettifying” the blade for charging a higher price. My antennae are twitching:-) |
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