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		#1 | 
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			Hello Amuk,  
		
		
		
		
		
		
		
	Thank you for the pic of this interesting piece again! Some comments or questions please: . The blade looks much older that the hilt and scabbard. This type of hilt is apparently made in Lombok, or perhaps Bali or Sumbawa? . This style of pendok overlapping on the atasan is fequently seen these days but is it an original design? . Koekoedoeng = Kembang kacang, djalwan = jalen, pentil = pejetan, and ladjer = greneng   Regards  | 
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		#2 | 
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			Hello Amuk, 
		
		
		
			A similar hilt to yours fitted on a new kris from Sumbawa (courtesy of PdV). Regards  | 
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		#3 | |
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				Location: Kaboejoetan Galoenggoeng Mélben 
				
				
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			 Quote: 
	
 ![]() I've changed the hilt for a 'more appropriate' one. Hope it's pleasing. I've also attached pics of similar oversheaths from 18thC-early19thC. One was a present from Hamengkoeboewono. Best, Last edited by Amuk Murugul; 20th October 2021 at 12:37 AM.  | 
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		#4 | 
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			Hello Amuk, 
		
		
		
		
		
		
		
	Beautiful pieces, thank you! The silver hilt on the first pic is in coteng style from Patani (Thailand) so not very suitable with this Cirebon kris IMO? Regards  | 
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		#5 | 
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		#6 | 
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			 Keris forum moderator 
			
			
			
				
			
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			Hi Amuk. Why do you believe the hilt you have placed on this keris originated on the North Coast of Western Jawa? It clearly appears to be a coteng hilt.  
		
		
		
		
		
		
		
	Do you have some provenance for this assertion. Though i believe many people have traced the evolutionary origin of coteng and tajong hilts back to Jawa the primogenitor hilts that are usually pointed to are not the fully developed coteng or tajong forms. But if you could show evidence that such hilts did exist in Jawa back then you would have an important discovery.  
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		#7 | 
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			This piece may be a javanese copy of a tajong hilt, see the hatched decoration especially.
		 
		
		
		
		
		
		
		
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		#8 | 
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			 Keris forum moderator 
			
			
			
				
			
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			Possibly. I honestly cannot judge from this one photograph. But even if made in Java to would not have been made for a Javanese keris and i am sure you agree that it is stylistically incorrect for this ensemble. While some culturally mixed keris ensembles may well have some legitimacy in ethnographic usage i would have a hard time seeing this mix of Javanese and Peninsula styles finding social acceptability in either culture.
		 
		
		
		
		
		
		
		
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		#9 | |
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			 Quote: 
	
 Thank you very much for sharing your pusakas with us!  | 
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		#10 | |
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				Location: Sydney, Australia 
				
				
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			 Quote: 
	
 Interestingly, this style of pendok can be seen in one of the earliest and detailed depictions of the keris we have in art. Attached is Frans Francken the Younger's "The Cabinet of a Collector", 1617. A Dutch painter. I know of at least one Sundanese wood carver/mranggi who is attempting to make this style of pendok for collectors of Sunda/West Javanese keris. It doesn't seem to be that common anymore.  | 
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		#11 | 
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			Candi Sukuh, Jawa Tengah, Circa 1440CE
		 
		
		
		
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		#12 | 
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			Alan - I'd like to confirm that what I'm seeing is correct because it's not so clear to my eyes.  
		
		
		
		
		
		
		
	Does the relief show a sheath that looks like a sandang walikat wrongko, and a pistol grip-shaped handle?  | 
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		#13 | 
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			Absolutely correct JB. 
		
		
		
		
		
		
		
	There is another relief carving in the same location and with same time & place of origin that shows this style of wrongko too, but the carving is not as clear as this one. Across in East Jawa at Candi Panataran (Penataran), near Blitar, state temple of Majapahit, we can find a representation of a wrongko that is 100% Bugis. When we get to digging a bit and looking at the old, original evidence we do sometimes find a few unusual things.  | 
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