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#1 |
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Member
Join Date: Dec 2004
Location: Cincinnati, OH
Posts: 940
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Well, MK, what you are showing us is what is known as a keris buda and is believed to be one of the oldest forms of keris. However, judging authenticity of these (and keris in general) from internet photos is always tricky, especially since so many modern reproduction of keris buda have been made and then artifically aged. That being said, the form you are showing would not be the oldest type as it has a seperate gonjo, the "guard" piece along the base of the blade.
On the down side the erosion of this blade does look to be quite even, a possible sign of artifical aging. On the up side the close-up of the pesi (tang) does seem to show some remnants of hair which was a common old way to secure the hilt tightly on the blade. Others here may be able to tell you more definitely,but without a hands on examination you may never know for sure.
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#2 |
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Member
Join Date: Jan 2005
Posts: 278
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Thats a great comment from you Nechesh. I will take note on your points. We'll wait from the others as well. TQ.
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#3 |
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Member
Join Date: Dec 2004
Posts: 125
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Newly made.
This kind of wear is caused by Hydrochloric Acid. Its too even and the pitting is extremely deep, giving the blade the look of a flint blade. There are a whole lot of these artificially aged bethok/buddha blades being made today. Just browse ebay. You'll find 3 or 4 usually. The funny thing is, the legitimately old ones usually look to be in better shape than the new ones. But hey, if it was given to you, whats to worry about? |
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#4 |
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Member
Join Date: Jan 2005
Posts: 278
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Thanks DAHenkel. I have many more to learn. Do you have photo samples of the real ones or do you own any of this kind, an original one? Pictures taken from the original ones would help. TQ
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#5 |
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Member
Join Date: Dec 2004
Location: Penang
Posts: 14
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There's now many new k. buda being produced in Indonesia to meet market demand, however none of those, in terms of its finishing, could match the prototype buda.
Your keris could be new or maybe ancient, no one knows, because till now I dont see anybody in this forum sending the right photos of original k.buda, mostly alarmed with assumptions without even seeing or owning one or may I say refrain to send one scared of being denied and condemned. The overall physical and internal presentation of your keris,do invite me to have a second thought. In my humble opinion, I would rather categorise your keris as an 'early keris' not of original buda but bethok buda of later period which I think Allan Maisey is familiar off. Severe pittings and corrosion of the blade not necessarily to mean it is the real one. I am sure the smith can produce uneven effects on a new blade any time. The hair found at the metuk acts as a 'spiritual strengthen tool' between the owner and the so called 'Chee' or energy of the keris. Last edited by Sakhti777; 25th January 2005 at 09:48 AM. |
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#6 |
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Member
Join Date: Dec 2004
Location: Kuala Lumpur
Posts: 369
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Im really confused of this kind of keris. I'm sure all of u guys had seen a lot of it. Due to the abundance of it, how can we know which is the genuine stuff?
Me myself have a tendancy to say it is a new keris if showed to me, but how can we be sure? Perhaps the one on front of our nose is the genuine thing. God knows. Is the keris buda in the late Mr. Bambang's encyclopedia genuine? I believe if i had the keris in the encyclopedia in my hands and showed it to others, they will plainly say that it is a fake. But, since it is in the book, perhaps majority of the keris lovers will say it is authentic. (Of course, since its from a credible source) What im trying to say is, both the so called "fake" and the "genuine" article looks damn similar. And also, if we are evaluating keris in their energy side, some people told me that even the new keris buda have some energy. Perhaps the difference is only the strength. But this is not possible to be gauged by keris lovers that dont hav the "energy" knowledge. Only the esoteric guys can measure this. What about the rest of us that worship the keris for its exoteric?In my opinion, if we have at least 2 or 3 samples of the so called genuine keris buda, we can have some bench mark on determining the authenticity. So, I'm begging u guys that have the genuine keris buda that u are at least 80% sure of the authenticity to show us the picture of the kerisses. At least we can evaluate the kerisses and disscuss some more, why it is genuine.
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#7 |
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Member
Join Date: Dec 2004
Location: Penang
Posts: 14
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Yes Rasdan, that's a wise thing to do. Show to us genuine photos of keris Buda and not excerpts. Bambang`s keris buda would have the same fate if posted to this forum. Can we hear from Paul De Souza?
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#8 | |
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Member
Join Date: Dec 2004
Location: Cincinnati, OH
Posts: 940
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Quote:
Objects of Power (OOPs ) are made by People of Power (POPs ). In this case we would be speaking about empus. I'm not so sure that any of the few real empus left in this world are spending much time making arcane forms of keris like the buda and if they did (i.e. if someone commissioned empu Djeno) then i would imagine there would be some clear provenance to the piece. Now POPs who are not smiths can make an object into an OOPs through intention and ritual. If i bought a newly made keris buda and made it my ritual athame it would indeed accumulate power thru use by a POPs. But i wouldn't count on aquiring a newly made keris buda and measuring much energy off it. Of course, ALL THINGS will have energy, it is the natural of the sub-atomic universe, but you know what i mean. Sorry guys, i know that was painful for some, but i personally find it difficult to discuss keris whille dismissing it's esorteric side. Again it's a matter of intention, of creation and use. If we were talking about steak knives, i'm sure i would have to mention the meat.
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#9 | ||
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Member
Join Date: Dec 2004
Posts: 125
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Quote:
Quote:
However, whether in relic or in archaeological conditions, rust attacks the surface of the blade irregularly. While surface rust may cover the entire blade, deep pitting only occurs where the rust is able to take root and eat deeply into the blade. Thus, the pitting will be irregular. In traditionally kept keris, where rust may have occurred on occasion and then arrested subsequently through cleaning the pitting will be highly localized and relatively minor in extent. The surface wear will be limited to the effects of warangan and other caustic substances used to clean and patinate the blade. Also, rust and wear will have a tendency to work along weld lines and even get in underneath the surface of poor welds, creating buckling. While a metalurgist or someone with a background in metalurgy (Empu Kumis?) might be able to speak to this in more technical teminology and eplain the underlying reasons for how pitting and wear occurs, most of us have to rely on experience. Judging a blade is often the combination of many different inputs. Weight, feel, workmanship, etc. etc. Often the faker gets some things right but then blows something or another. I'd say it is extraordinarily rare that a faker does get it all right and creates the type of work that will confuse an experienced collector or scholar. For the most part the fakers cannot afford to put the kind of effort needed to create a convincing piece of work. Its far easier and cheaper to create fakes that will take in the gullible and unsuspecting and mass produce them cheaply. I would once again encourage anyone who has not done so to read back through the archives for relevant information. Many of us have been at this for 5 or more years and it is not easy to re-write everything each time the subject comes up. |
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