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#1 | |
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Join Date: Apr 2011
Location: Moscow, Russia
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#2 |
Arms Historian
Join Date: Dec 2004
Location: Route 66
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I think that while philosophical debate is often in degree entertaining as it is largely often speculative in use of analogy and comparative circumstance, in the analysis of weaponry used in earlier times we must realize the boundaries that exist in reality.
Using artwork, or even photography (in the instances described here earlier) as supportive evidence is only effective in degree, and accordingly only provides a degree of plausibility. For example, the famed painting of the charge of the Royal Scots Greys at Waterloo by Lady Butler in the 1880s ("Scotland Forever") is only mildly accurate. It shows the troopers charging at speed almost wildly, with Highland infantrymen clinging to the stirrups of the cavalrymen charging into the French. The truth was that the Scots Greys were not charging in this manner, but were at the trot, moving through sodden, muddy earth and moving through retreating Highlanders on thoroughly blown horses. The Highlanders were not clinging to the stirrups, but trying to get out of the way. The Greys were never ordered to charge, only advance.....and the immortal outcome was from failure to regroup in the confusion and scattering of troopers as many of the officers had been killed. Most fatalities were from the deadly crossfire during the advance, then from French lancers picking off the scattered troopers one at a time. There are many cases of art having the presumption of accuracy, but artists tend to embellish, especially when the actual work is often done years after the event . As mentioned, photography, particularly early examples, was often staged and using props and even costumes. As with art, these were intended to elicit a certain theme or perspective. They cannot typically be viewed as completely accurate.....though in cases, plausible. Obviously, before cameras, and absence of an artist on site.....the call for witnesses is another means for evidence. In dramatic and often traumatic events, people are not sitting there taking notes, they are trying to survive. As any police investigator will tell you...various witnesses....equal possibility of variation on accounts. Narratives and accounts are typically written or gathered after an event, often years, sometimes many, later. Memories become clouded, often tainted by other accounts that are shared later. Post recognition is in effect prompted by suggestion. Obviously, this is a digression as we are discussing hypothetical situations, but since it that very tract, it seemed that this perspective might better define the ineffectuality of art, photos and 'witnesses' overall. Also, in considering these elements, there is no substitute for research, cross reference and corriborstion and as always, common sense in evaluation. |
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#3 |
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Join Date: Dec 2004
Location: Ann Arbor, MI
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Bladed weapons with reinforced points are seen in multiple cultures.
During their attack Circassians, it was said, "first stabbed and then slashed". Their sabers with bayonet points are well known . Some of these blades ( or perhaps even all of them) were made by Crimean Tatars ( see attached). Lately, I went berserk for nomadic sabers. I just bought a Mongol-Tatar nomadic one 12-14 century, also attached. As I said, I have a tulwar with Zira-Bouk-ish point ( I am at work and will try to find time to photograph it) The common denominator for all such blades is the intent of their owners to stab the opponent without a risk to bend the blade. |
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#4 |
Arms Historian
Join Date: Dec 2004
Location: Route 66
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These Tatar sabres with their distinctive needle points( by the hilts termed 'ordynka' ) are fascinating, and I always marveled at how these ultra thin points could be used without snapping off. While in pitched or standing combat is one thing, but on horseback even in position the dynamic movements of the horse and the opponent would seem bad for a blade imbedded through mail.
With this type point, that brings me to the fabled 'flyssa' of the Kabyles in Algeria, and with the Ottoman presence there I always wondered if the Circassian elements among Ottoman forces brought such influence to the needle points on many flyssa. While again digressing geographically it goes to the effect of armor piercing blades. |
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#5 |
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Well, Jim, first we do not have to invike the Ottomans as stand-up for Golden Horde nomads ( see the Mongol saber ). Second, I have no recollection where I read it, but really old flissas were very much yataghan-like ( I have one of those), without the exaggerated point of the newer and longer flissas..
But here are promised pics of the Tulwar, with suspiciously Afghani blade and reinforced point. Somehow I do not believe it was constructed with a spit in mind:-) |
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#6 | |
Arms Historian
Join Date: Dec 2004
Location: Route 66
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As you note, the 'newer' form which had the 'needle' point seems to have been from somewhat pre-1850s (the earliest example I found with provenance was a French Foreign Legion museum in France, 1857). Thanks for the photo of this outstanding tulwar, with what you accurately note as Afghan or northwest India blade (the Persian influence). The bolstered point as seen on katars seems way incongruent with a slashing sabre. I honestly have not heard of warriors using tulwars 'giving point'...and a blade as wide as this would not split mail....but may penetrate heavy cloth. Ponderous example. |
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#7 |
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If we went so far in our digressions, any documented evidence in favor ( or against) flissa being a stabbing weapon? Or slashing?
Maghribean cavalry ( just like Aravian) was riding camels and the very height of that obnoxious creature may explain the length of " newer" flissas. But I have a problem imagining flissas as slashers. May be totally wrong, though. |
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#8 | |
Arms Historian
Join Date: Dec 2004
Location: Route 66
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With the forbearance of Jens and the mods, the 'stabbing'capacity of the 'needle pointed' swords including the Tatar sabres and flyssa is being considered with regard to that of bolstered blades on katars. It seems the conundrum of the flyssa, much as with any of these needle pointed edged weapons remains unresolved. Even in the French campaigns in and near Kabylia in 1857, while these were captured, there is no known mentio of their manner of use. The long, heavy and unwieldy blade (handling one of these is anything but balanced) seems extremely unlikely for either thrust or slashing. In most of what I have learned on these, they seem more a traditional 'rite of passage' weapon than actual combat piece. Again, in the theme of the discussion here, we simply do not know. |
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#9 | |
Vikingsword Staff
Join Date: Nov 2004
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http://www.vikingsword.com/vb/showth...ghlight=kirach |
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#10 | |
Arms Historian
Join Date: Dec 2004
Location: Route 66
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This 'reinforced' look at the point, now that I look at it more, is very much like British cavalry sabres of M1821 and later. The general idea of these was that they were functional for both cut and thrust, the ridge at the point extended as far as the hollowed out fuller of the blade all the way to the forte. There were a lot of problems with these swords as they often bent and broke in these uses and a lot of 'retooling' was needed. The 1821s didnt get back into production until 1829 after several years hiatus. Perhaps these Indian tulwar blades are taken after the British cavalry blades, as there were outfitters privately supplying units in India. The ridged reinforcement feature at the tip seems to correspond to those on katars and the concept was intended for the thrust. If I can recall correctly, in 1962 Gerhard Seifert ("Schert Degen Sabel") tried to classify some features of cavalry sabres, and this type was termed 'CENTER POINT' as opposed to the simple point 'spear point'. Last edited by Jim McDougall; 3rd November 2018 at 03:24 AM. |
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#11 |
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Very interesting.
As I recall, there are descriptions of Indian swordplay by the Brits: according to them , Indians did not parry and did not use the thrust. And here are two quintessential Indian blades with a deliberate thrusting feature. |
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