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#1 |
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Definitely the barrels are French. The lettering after Leconois is a word: L'aîné, meaning "the oldest son". It is known that Laborde (1745-1760) was often named as Le Jeune (the Young), which suggests a Laborde father (Bordeaux 1730 ?). However in the case of your barrels i would not discard the possibility that the epithet goes for the "oldest son" of such Leconois, the name of a less kown (so far) barrel smith; you know, Laborde being a whole pistol maker but using contracted barrel smiths for shotguns ?. Besides, one finds it hard to see Laborde forgering his guns with Spanish marks ... or has a Laborde lock been implanted in the dicussed shotgun ?
![]() ![]() ![]() Just for the fun, look at this hunting pistol by Laborde a Paris. (Courtesy Galeriedemars) . |
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#2 |
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Again, a Very helpful reply Fernando!
I believe you are right; That Laborde did not make the barrels. Most gunsmiths bought in their barrels and I see this as most likely in this case. If Spanish barrels were selling at a premium, as indeed they were, I do not suppose he had any great worries regarding supplying what was in demand. :-) That is a very beautiful pistol you show! Very nice work. The cocks are very interesting, as we think of them as later than Laborde was working. The trigger-guard is the same 'pillar ' type as on the gun in the opening post. Not exact, but same style. I will attach further photos as soon as possible. Kind regards, Richard. Edited to add pictures. Last edited by Pukka Bundook; 27th March 2018 at 08:22 PM. |
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#3 |
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Please pardon the double post, but Fernando,
In this thread (see below) http://www.vikingsword.com/vb/showthread.php?p=227443 You showed L Santos marks in Lavin, (with miniscule S) and also L Santos in Isidro Soler's work, where we see the dot and no little 's'. So where does this leave us my friend? Yes, you said in that post that makers did not always use the same punzon, so is there any way to say if the marks on these barrels are fake or genuine? Kind regards, Richard. |
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#4 |
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I am sorry Richard, that my words made you realize that it was a decisive diagnosis, whereas my approach was more on the 'food for thought' basis.
Still in the mentioned previous thread i submitted that marks depicted by Soler and Lavin are drawings of punzones whereas all those three in the Armeria Catalogue are images of the actual thing. On the other hand, being the discussed barrels of Spanish origin, why the heck should some Frenchy's 'oldest son' punched that inscription underneath ? Again something (only) to think about, nothing ultimate. And remember my technical knowledge of (shot)guns is nihil; just trying to stick my nose on marks riddles ![]() ![]() |
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#5 |
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Indeed Fernando!
We come full circle and wonder why French marks. In "An Essay On Shooting" (1797) we read that fake marks were common and very hard to tell from the real thing, so it appears that the faked marks were nearly perfect. This takes me back to the conclusion that the marks on these barrels are fakes. The big trouble with this conclusion, is I must then wonder why make a perfect forged mark, ....then give the game away with French writing!?! Sometimes things just do not make sense. It's like forging perfect banknotes, then putting Mickey Mouse on one corner... I like the gun very much, and a bit of mystery never hurt. Thank you my good friend, for all your help on this. Richard, |
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#6 | ||||
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#7 |
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Fernando,
To quote you; "Just think of it as being genuine Spanish barrels for exports, receiving a French inspection countermark at arrival ". This may be Very close to the truth! Richard. |
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