![]() |
|
![]() |
#1 |
Member
Join Date: Oct 2012
Posts: 69
|
![]()
Well, if you ask me, it looks more like a mule, than anything else, but I am not sure that was the idea.
![]() Here's the other side. |
![]() |
![]() |
![]() |
#2 |
(deceased)
Join Date: Dec 2004
Location: Portugal
Posts: 9,694
|
![]()
I admire your guys sharp eye; i can see neither a woolf nor a mule
![]() ![]() ... But the sword is excelent ![]() |
![]() |
![]() |
![]() |
#3 |
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,585
|
![]()
It seems that in observing these 'running wolf' marks in many examples which cover several centuries, there is far more than variation in the exemplars, and many reach the point of abstraction. In my opinion these figures were chiseled into the blades by shop workers rather than the artisans who were charged with inscribing them.
These workers were not skilled artistically (obviously) but the marks were probably intended as talismanic imbuement which derived from conventions such as that known as 'Passau Art', in which the running wolf 'of Passau' was one of the leading devices as far as sword blades. The notion seems to have been that despite the artistic deficiency of the application, the talismanic factor would stand in effect simply by the act of the marking. The superstitious fervor that existed with weaponry in these times is something often deeply underestimated in studies of them, which is why markings and inscriptions are most often not well attended to. |
![]() |
![]() |
![]() |
#4 | |
Member
Join Date: Mar 2010
Location: Olomouc
Posts: 1,719
|
![]() Quote:
|
|
![]() |
![]() |
![]() |
#5 | |
Member
Join Date: Jul 2014
Posts: 435
|
![]() Quote:
![]() the blade looks indeed German, the position of the stamps on the ricasso and the running K9 all point in that direction |
|
![]() |
![]() |
![]() |
#6 |
Member
Join Date: Oct 2012
Posts: 69
|
![]()
Well, your picture clearly explains why we have three protrusions where the hind legs are, and only two in the front.
![]() |
![]() |
![]() |
![]() |
#7 | |
Member
Join Date: Mar 2006
Location: Room 101, Glos. UK
Posts: 4,249
|
![]() Quote:
![]() |
|
![]() |
![]() |
![]() |
#8 |
Member
Join Date: Apr 2007
Location: Nothern Mexico
Posts: 458
|
![]()
I don´t know if this can be useful, but according with the icollector web site, and I quote: "Excellent quality Victorian decorated rapier with period blade signed Pietro Hernandez. This rapier was probably a military issue and plain style which was embellished in the 19th Century; 47-1/2” overall with a 38” blade; good condition with normal aging. The hilt and blade show quality forging and the decorative chiseling and engraving are almost an exact simulation of 17th Century work but just not quite as fine or detailed enough." You can find the reference here:
It seems that there was made an intent to to imitate a very well known mark or stamp used on Spanish blades from the 15th and 16th Centuries, consisting in a small running dog, made with very elementary lines. For this reason, those swords were commonly called "Espadas del Perrillo" (Swords of the Little Dog). The mark belonged originally to Julián del Rey, known as Julián el Moro, a moorish converse from Granada, supposedly baptized by the king Ferdinand the Catholic. It is to be noted that, according with some people, this swordsmith made the famous jineta sword of Boabdil exhibited in the Museo del Ejército in Toledo, but latter the mark was imitated by other swordsmiths in Spain. Maybe even by those of Passau, and it most be taken care to not confuse the marks, since some people, not knowing this facts, misatribute a Espada del Perrillo to those of the running wolf from Passau. I was unable to load the image of this mark or stamp, since when I try to insert the image in this post, it appear a text "Enter the text to be formatted", and I don´t know how to upload, but you can see the image of the stamp here: Regards Last edited by fernando; 14th May 2017 at 12:51 PM. |
![]() |
![]() |
![]() |
#9 | |
Member
Join Date: Mar 2010
Location: Olomouc
Posts: 1,719
|
![]() Quote:
|
|
![]() |
![]() |
![]() |
#10 | |
(deceased)
Join Date: Dec 2004
Location: Portugal
Posts: 9,694
|
![]() Quote:
![]() |
|
![]() |
![]() |
![]() |
#11 |
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,585
|
![]()
The perplexing case of these abstract animals depicted in these blades for yet unknown significance has been a notable feature for as many years as I can recall in my own research, as well as clearly included in the work of many writers.
Ewart Oakeshott in 1960, ("Archaeology of Weapons". N.Y. p.223) notes, "...a mark which can easily be mistaken for the 'wolf' of Passau is a unicorn; since both wolf and unicorn are only very summarily sketched wth a few inlaid strokes; it needs the eye of faith to distinguish an animal at all; the examples of the unicorn I have met with look exactly the same as the wolves except they have a long straight stroke sticking out in front". To carry the analogy further, in the well established cases of German trade blades imported into Sudan, Reed ("A Kaskara from Darfur", JAAS, 1985) notes that in examining a blade with a Fur chief, the chief thought the wolf was a hippopotamus! |
![]() |
![]() |
![]() |
|
|