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#1 |
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Join Date: Apr 2010
Posts: 671
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Dear tocayo
I differ with you, and with Calvo obviously. The example he has chosen is still a classic miquelete, with its bridle false, although it distances in one thing, the placement of the spring of the frizen, as in the key to the Roman. The fact that the half-mounted chock acts on the internal curve of the pin is not decisive, as there are specimens of pure miquelete with that characteristic. It differs, of course, from the copy that has gone up dana A hug. Fernando K |
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#2 |
(deceased)
Join Date: Dec 2004
Location: Portugal
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Nothing to say, Fernando; you are the one who knows. But as i previously approached, it is Calvó himself that admits the existence of different interpretations.
http://www.catalogacionarmas.com/public/recuerdos77.pdf . Last edited by fernando; 21st January 2017 at 03:39 PM. |
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#3 |
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Join Date: Apr 2010
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Dear namesake
Exactly, the page of Calvo is missing the copy that has been accepted by Dana. The one that has the bowl with its built bridle, and that is the one that refers the document of the real Palace that is reproduced in LAVIN A hug. Fernando K |
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#4 | |
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Join Date: Dec 2004
Location: Portugal
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![]() Quote:
In what page of LAVIN's book is that reference ? Here is an example of llave a las tres modas, made by Manuel Sutil in 1741, as illustrated in the Catálogo de arcabuceria madrileña (Real Armeria de Madrid). Is this the correct style ? . |
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#5 |
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Querido tocayo
La mencion esta en pagina239, en el apendice A Una llave a las tres modas concluida segun se acostumbra, nueve doblones cencillos (sic) Piezas sueltas ............................. Plantilla con el Estribillo en la Cazoleta Fernando K |
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#6 |
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Dear namesake
The mention is on page239, in appendix A A key to the three fashions concluded as it is customary, nine doubloon cencillos (sic) Loose Pieces ............................. Template with the Chorus in the Bowl Fernando K |
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#7 |
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Join Date: Apr 2010
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Namesaque
Yes, it is the correct stile Fernando K |
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