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#1 |
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#2 |
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1. For the record: I do NOT agree with the author. I stated from the beginning that the chapter was an introductory review designed for local Russian readers who do not know English and have to rely on Russian second, - and third- hand sources, often poorly translated. For that audience it is good.
I guess my comments about the issue of Kshatriyas vs. the Gujaratis go unchallenged :-) Good. Hopefully, the author will not repeat a similar error in the future. 2. Sorry, I cannot and do not "trust" the allegedly mind-reading author. He operates from the Western point of view that is largely inapplicable to the Hindu one. Again, he is well advised to carefully read Elgood's book specifically addressing the issue of tight bonds between Hindu arms and ritual, and learn something new. This may change his attitude to Indian metaphysics. 3. The author should read the reference I provided and not a third-hand information from the popular-audience Nosov's book in Russian. At the same time, he may want to look for " hastivaraka" ( same source) 4. First, the author's main line of attack against Ms. Karlova totally misses the point: he just distorted the purpose of her reference. Second, we do not know what was the objective worth and value of Royal Lahori weapons. Does the author? Perhaps, Hermitage examples paled in comparison. Be it as it may, Prince Saltykov exhibited a totally ungentlemanly and low-class behavior. Feh..... 5. It is the author who brought the mace as an example, and it is his responsibility to defend his statement. Hiding behind other person's back is not a good policy. In summary, this is a book for general audience and as such it fulfilled its goals admirably. It ain't no monumental treatise like the Elgood's one, but even the author of the review might have learned a lot from it. In conclusion: I find the author's review of the articles poorly informed, poorly thought through and , - frankly, - biased. I can only wonder, - why? I firmly stand behind my recommendation to buy this book. Jens Nordlunde is unlikely to find many revelations there :-), but for the rest of us, not deeply dedicated to the study of Indian culture and weapons, this book might be useful. The additional bonus is the Chinese part of the book, and AFAIK there is no similar source in English. Last edited by ariel; 20th January 2016 at 05:32 PM. |
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#3 |
Arms Historian
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Mahratt and Ariel,
Thank you so much guys for continuing this review of these references as well as the topic in general from objective point of view. With this you both reveal the attention to detail you have observed to these very complex topics on Indian arms. While I have studied these weapons for very many years, I confess I have never reached the depth you both have clearly reached, so I would count myself among the many who may benefit from these books. Again, thank you both for this most useful and informative exchange! |
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#4 | |
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Thank you for the nice words. I believe that everyone should read the book, to make up his mind about what is written in it. I'm just expressing my opinion about what I read in the book. |
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#5 |
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"1. For the record: I do NOT agree with the author. I stated from the beginning that the chapter was an introductory review designed for local Russian readers who do not know English and have to rely on Russian second, - and third- hand sources, often poorly translated. For that audience it is good.
I guess my comments about the issue of Kshatriyas vs. the Gujaratis go unchallenged :-) Good. Hopefully, the author will not repeat a similar error in the future." It is so pity that you are not familiar with the Russian Oriental studies. It is on a par with French or English Oriental studies. About the Kshatriyas. Of course I agree with you. It is exactly the author of the article in catalog mixed in one pile Kshatriyas with Rajputs, Jats, Dogras and Gurkhas with Coorgs. "2. Sorry, I cannot and do not "trust" the allegedly mind-reading author. He operates from the Western point of view that is largely inapplicable to the Hindu one. Again, he is well advised to carefully read Elgood's book specifically addressing the issue of tight bonds between Hindu arms and ritual, and learn something new. This may change his attitude to Indian metaphysics." About the chakras. There are description of the use of chakras by ascetics in 16th. No metaphysics. They just throw it into the Portuguese who fired at them from muskets. They do not even have prayed before. And in addition to the chakras they had swords and knives. "3. The author should read the reference I provided and not a third-hand information from the popular-audience Nosov's book in Russian. At the same time, he may want to look for " hastivaraka" ( same source)" No problem. On the same page ("Kauthiliya Arthasastra", transl. by R.P. Kangles ( Motilal Banasidass, Delhi, 2003. ISBN: 81-208-0040-0) Vol 2, p. 132 ![]() "4. First, the author's main line of attack against Ms. Karlova totally misses the point: he just distorted the purpose of her reference. Second, we do not know what was the objective worth and value of Royal Lahori weapons. Does the author? Perhaps, Hermitage examples paled in comparison. Be it as it may, Prince Saltykov exhibited a totally ungentlemanly and low-class behavior. Feh....." No attacks. But it is need accuracy of citation. Prince Saltykov died 157 years ago. And it was amazing man. https://en.wikipedia.org/wiki/Aleksey_Saltykov "but for the rest of us, not deeply dedicated to the study of Indian culture and weapons, this book might be useful" You should started with this. I would not write so much then |
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#6 |
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#7 |
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Just for the fun of it: what kind of Royal Swords were likely to be seen in the Lahore collection, and how would they compare to the Saltykov's bazaar ( Hermitage) acquisitions ?
Well, on P.50, Ms. Karlova cites Saltykov letter to his brother in Russia. Saltykov bought 2 metal shields, one straight-bladed sword and two daggers for a total of 750 rupees ( ~ 120 GBP, ~$21, ~15 GBP at that time. Different sources give different numbers, likely due to geographical differences, but at the most a cost of very modest middle-class living in rural England at that time). Those went to the Hermitage. And here is a real Royal Sword, likely comparable to some examples in Lahore. A gift from Maharaja of Jaipur to Edward VII in 1902 ( about 30 years after Saltykov's trip to India). Solid gold and 2,000 carats of diamonds. And Saltykov himself said that the Lahore weapons were " ... extremely rich...". Yup, Saltykov was a cheapie and a "sour grapes" man :-))) |
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#8 |
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[QUOTE=mahratt]"1.
It is so pity that you are not familiar with the Russian Oriental studies. It is on a par with French or English Oriental studies. ---------------------------- Russian historians/archeologists are unsurpassable in the field of "nomadic" and "Caucasian" studies.There are some good contributions to the Ottoman and ( less) Persian field. India was not their cup of tea. Except for occasional travellers ( Nikitin, Saltykov) they never ventured there and made no original contribution to the field. The only systematic Russian book about Indian weapons is a relatively new, semi-popular, book by Nosov, with heavy borrowing from Elgood, Pant and Rawson. Comparing Russian contributors to French and, especially, British researchers is impossible. After all, Brits controlled India de facto or de jure for... what? 300 years non stop? Built universities there, sent scientists, published books to no end, assembled collections, had public exhibitions...... Come on, let's not engage in patriotic fantasies:-) __________________________________________________ ______________ About the Kshatriyas. Of course I agree with you. It is exactly the author of the article in catalog mixed in one pile Kshatriyas with Rajputs, Jats, Dogras and Gurkhas with Coorgs. ----------------------------- Please, all of us can read here:-) __________________________________________________ ______________ "2. About the chakras. There are description of the use of chakras by ascetics in 16th. No metaphysics. They just throw it into the Portuguese who fired at them from muskets. They do not even have prayed before. ---------------------------------------- That is exactly your problem: you equate the act of "releasing" the mukta with the damage it inflicts. Try to understand their metaphysics. __________________________________________________ _______________ "3. On the same page ("Kauthiliya Arthasastra", transl. by R.P. Kangles ( Motilal Banasidass, Delhi, 2003. ISBN: 81-208-0040-0) Vol 2, p. 132 ![]() ------------------------------ Where is the mention of a word "axe" in relation to hastivaraka or hataka? Please do not assign to me any words that I did not even utter. __________________________________________________ _________ 4. Prince Saltykov died 157 years ago. And it was amazing man. https://en.wikipedia.org/wiki/Aleksey_Saltykov --------------------------------------- Yes, a traveller and a dealer in Indian antiques. And ( based on his letter to his brother) not somebody I would care to invite into my house:-))))) |
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#9 | |
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[QUOTE=ariel]
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2. About the axe. Please see picture bellow. 3. Prince Saltykov never was a dealer. You should have read about it carefully. He was a collector and patron of the arts (philanthropist). There is a difference between the patron of the arts and the dealer. "At home he always had some eccentricities, went to the Persian or Indian costume (hence his nickname "Indian"). His apartment always looked like a Museum of curiosities and was furnished in the East. Everywhere he lived as a hermit for whole days engaged in painting, which had a big love, and "invited them to his house only a good painter, because he was not the last." Gloucester candlestick the beginning of the XII century from the collection of A. D. Saltykov now adorns London's Victoria and albert Museum The comments from those who knew him, Prince Saltykov "was one of the rare people gifted with a pleasant character, without the slightest pride, and charlatanism and moreover modesty" in dealing with others was always extremely soft, gentle and helpful. One of his contemporaries recalled that Saltykov was featured elegant and aristocratic appearance, in external manners he was reminiscent of Chopin; in forty years he had a youthful flexibility and features of his thin, oblong face had a melancholic good-natured expression[1]. He died on 23 March 1859 in Paris, where he lived as a hermit and invited them to his house only artists." |
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