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#1 | |
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Join Date: Mar 2012
Posts: 422
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If you decide that a kris is used like a European smallsword, for parry-riposte modern style European fencing, then the reversed grip looks attractive. But that isn't how the weapon is traditionally used, and it won't be a very effective style of using the weapon (unless one has rules in place to make it so). I don't think reversed grips are mostly accidental. I think a lot of it is "Stupid natives can't even put their handles the right way around; I'll fix it." Reversing the grip can do bad things to the ergonomics of the weapon, but perhaps armchair fencing theoreticians don't notice. More generally, "guards" on swords, especially on simple crucifom hilts (the classic European Medieval style), have much less protective "guarding" function than commonly supposed. You don't block with it. It won't protect your hands when your attacks are blocked. They're very good for making it harder for your opponent to disengage to continue an attack - long guards are nice on large heavy swords because you want the opponent to take as long as possible to make that second attack so that you have time to move the sword (or move around the sword - a really big sword, say about 2.5-3kg is a dance partner). But guards have disadvantages. They offer handholds to the opponent when grappling, can snag when drawing the weapon, and more. If you don't fight in a way that uses it, it's of little benefit but still has the drawbacks. So sometimes no guard is better. Last edited by Timo Nieminen; 29th September 2014 at 02:55 AM. |
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#2 |
Vikingsword Staff
Join Date: Nov 2004
Posts: 6,365
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As far as I can figure on a properly hilted kalis the forehand stroke would be the Chop and the backhand the Draw stroke. or slash .
Possibly the re-oriented hilt was meant as a symbol of peaceful intent since it rendered the sword virtually useless . ![]() |
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#3 |
Member
Join Date: Apr 2007
Location: Wisconsin, USA
Posts: 424
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I am grateful to Timo for analyzing my line of thinking on possible sword fighting reasons for the reverse handle. As an armchair (at one time, standing) fencer myself, it is a good reminder to me and my ilk how little we know of the actual historical use of these weapons, and how important that might (or might not) be in understanding their form.
Is it known whether kris-bearing fighters carried a knife or other weapon in their offhand? Rick's thought about a reversed hilt as a symbol of peace reminded me of something I read about an Indonesian weapon (can't remember keris or badik or something else with a prominent directional hilt). One would typically wear the weapon with the hilt facing the "wrong way". In a dispute, rotating the weapon in one's sash was a way of escalating the dispute by suggesting imminent violence without actually drawing the weapon. To bolster Rick's thought, if we assume most days were peaceful, and if following Indonesian custom, the well-decorated (prestigious) side of the scabbard would not be visible if the entire weapon were reversed. Solution: just reverse the hilt and one can demonstrate both peaceful intent and display the decorated side of the scabbard. Evidence for this theory might be a relative disparity in the numbers of reversed handles found on prestigious kris versus more ordinary kris whose primary purpose was clearly fighting, not display of wealth. ![]() Anyway, it's just a thought from an armchair theorist. Thank you everyone for your keen observations. Dave A. |
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#4 | |
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Join Date: Mar 2012
Posts: 422
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For when you have no shield with you, then what do you do with the off-hand? I don't know of any good historical written sources. What about modern martial arts? The relevant art would be silat, which is, alas, probably the major Asian martial arts family I know the least about. I don't know about two-weapons in silat, but can say something about off-hand with single weapon. For short swords, if you're not using a shield or a second weapon, the off-hand is useful for trapping and deflecting, and grappling. For trapping, the ideal target is the upper arm near the elbow - push against the body, and the motion of the weapon arm is greatly restricted. For deflecting/blocking/parrying with the off-hand, if their weapon can reach your body, you can reach their forearm with your off-hand to deflect/block/parry (of course, you can do the same with your weapon, which is much more effective than blocking their weapon). All this is possible, important, and/or essential because of the body-to-body distance when in weapon range. It's even more important with knife. It's this short range that makes European-style parry-riposte fencing non-optimal - the opponent can trap and move in to very close range; using the weapon this way also exposes the forearm a lot. This kind of stuff with the off-hand starts to get harder to do when you exceed about 24" of blade, but can work for longer weapons as an occasional technique. Escrima/arnis/kali of the northern Philippines is big on two-weapons, either sword and knife or two short swords, or sticks originally acting as substitutes for such. But one of its roots is Spanish rapier and dagger, so it doesn't tell us that much about the use of the off-hand with kris. A lot of Chinese martial arts are big on two weapons. There, it's mostly as an equaliser for short weapons against spear (in my opinion, the spear still has a large advantage, ceteris paribus, but two short weapons against spear is much better than one; against a naive spearman, it can work very well). |
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#5 | |||||
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Join Date: Apr 2005
Posts: 3,255
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Hello Timo,
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![]() Regards, Kai |
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#6 | |||
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Join Date: Mar 2012
Posts: 422
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In most photos of Moros with 2 weapons that I've seen, one of the weapons is a spear. (Could be small knives I don't see.) I can only remember one photo of a Moro with two swords (modern photo, an old man with 2 barong). Quote:
N. R. Nepangue & C. C. Machador, "Cebuano Eskrima: Beyond the Myth", Xlibris, 2007, discusses this and the myths. I don't think they like the myths or the myth-makers very much. Quote:
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#7 | ||
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Join Date: Apr 2005
Posts: 3,255
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Hello Dave,
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No self-respecting Moro would have carried a kris (his alter ego and sign of manhood) in a crippled "fashion" - no way. Most average folks could only afford to own a single kris and the Moro kris hilt can only be changed with quite some effort. Do the math... ![]() Regards, Kai |
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#8 | |
Member
Join Date: Apr 2005
Posts: 3,255
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Yes, David, I'm with you!
IMHO Timo put it quite nicely: Quote:
What I meant would be nice to have better numbers on is Detlef's observation that the display side of later MOP scabbards may favor a different way of carrying the sword in the sash. I'm not convinced yet since I've seen quite a few antique scabbards with the same "upside down" configuration (i. e. the lower edge with the elephant/eagle facing upwards). BTW, does anyone have an antique pic of a Moro carrying his sword for use with the left hand? To make sure that the negative didn't just got reversed, there needs to be some kind of letters visible on the scene itself or, more likely, western military personell with asymmetric uniforms. Regards, Kai |
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#9 |
Member
Join Date: Aug 2007
Location: Germany, Dortmund
Posts: 9,328
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Hello Kai,
in this thread: http://www.vikingsword.com/vb/showth...ight=WWII+kris (post #20) is a old picture with a "upside down" scabbard and here: http://www.vikingsword.com/vb/showth...ighlight=kalis are shown two old blades with later replacement scabbards in the same fashion. Actually is a WWII or later kris listed by ebay with a "upside down" scabbard, Will post pictures when the auction is ended. I've seen some more in the last years but unfortunately I haven't saved the pictures. Regards, Detlef |
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