Sinhala / Sri Lankan Swords?

[Prasanna Weerakkody]

Kai, I will try to get a set of additional images of the sword with the permission of the owner. Hilt as you say is horn and guards all of steel with brass inlay work. There are many swords surviving specially in Buddhist and Hindu temples that are said to be weapons gifted by King Rajasinghe I post to war victories. very few of these are Kasthana, with most being captured Portuguese swords. But this may indicate the possibility of a piece surviving under protected conditions.

Thank you Balooshi for the complements.

Fernando, Great to see these guns; though there are many examples of the “Bondikula” type guns around (the last one in your collection) I have not seen any similar to the two earlier pieces. curiously the ornamentation of these does not entirely follow Sinhala traditional motifs… even the scroll work on the Makara head on the lock etc seem to be a little away from the usual form. Hope you could let know where this collection is from.

There are text references to Fire or gun powder weapons in use 1-2 centuries prior to the arrival of the Portuguese in Sri Lanka. The form of the weapon is not known and may indicate a rocket type weapon instead of a gun. In the text “Kandauru siritha” (Order of the Camp) there is a reference to a battle which commences by the simultaneous firing of 400 “Wedi” meaning Gunfire/Artillery or any weapon using Gun powder.

[Ibrahiim al Balooshi]

Originally Posted by Prasanna Weerakkody

Kai, I will try to get a set of additional images of the sword with the permission of the owner. Hilt as you say is horn and guards all of steel with brass inlay work. There are many swords surviving specially in Buddhist and Hindu temples that are said to be weapons gifted by King Rajasinghe I post to war victories. very few of these are Kasthana, with most being captured Portuguese swords. But this may indicate the possibility of a piece surviving under protected conditions.

Thank you Balooshi for the complements.

Fernando, Great to see these guns; though there are many examples of the “Bondikula” type guns around (the last one in your collection) I have not seen any similar to the two earlier pieces. curiously the ornamentation of these does not entirely follow Sinhala traditional motifs… even the scroll work on the Makara head on the lock etc seem to be a little away from the usual form. Hope you could let know where this collection is from.

There are text references to Fire or gun powder weapons in use 1-2 centuries prior to the arrival of the Portuguese in Sri Lanka. The form of the weapon is not known and may indicate a rocket type weapon instead of a gun. In the text “Kandauru siritha” (Order of the Camp) there is a reference to a battle which commences by the simultaneous firing of 400 “Wedi” meaning Gunfire/Artillery or any weapon using Gun powder.

Salaams Prasanna Weerakkody ~ Well if the Bondikula have Makara heads on the locks which are pretty well identical to those on the hilt of the Kastane ... and reflected in the two headed axe earlier as well as every picture of Kastanes so far... does that mean we are searching for this motif (The Makara) and not the Lion ?

Fernando ~ Your excellent references pose a problem, since, it more or less indicates that Portuguese and Sri Lankan workshops were working together to produce weapons and in a definable time slot. In doing so is it not feasible that they also combined decorative techniques as shown by your fine pictures of the guns with Makara locks?

If that is indeed the case we have a pointer to the possible "combined construction" of other weapons including Kastane which is interesting (even if it does mean that we are at full circle in determining more closely the origins of that sword, though, now with a completely balanced set of parameters).

Obviously, since The Portuguese were supported by a large section of the Sri Lankan fighters (coercing mercenaries was a very major part of the Portuguese "modus opperandi" ) it is entirely possible that this craftsmanship liaison could have occurred well prior to their late 17th C dominance. Target range mid to late 16th C perhaps?

Thus we may have a time zone;the mid to late 16th C. and a specific style to search for; Incorporating The Makara Hilt through a liaison between craftsmen; Portuguese and Sri Lankan.

Regards,
Ibrahiim al Balooshi.

[fernando]

Originally Posted by Prasanna Weerakkody

... Fernando, Great to see these guns; though there are many examples of the “Bondikula” type guns around (the last one in your collection) I have not seen any similar to the two earlier pieces. curiously the ornamentation of these does not entirely follow Sinhala traditional motifs… even the scroll work on the Makara head on the lock etc seem to be a little away from the usual form. Hope you could let know where this collection is from..

As i referenced in my post, those examples belong in the collection of German/Portuguese collector and arms historian Rainer Daehnhardt. He has written a few books approaching arms and armour from the Portuguese discoveries period/route and is the person i phoned to seek information on the portuguese influences in the kaskara.

Originally Posted by Prasanna Weerakkody

... There are text references to Fire or gun powder weapons in use 1-2 centuries prior to the arrival of the Portuguese in Sri Lanka. The form of the weapon is not known and may indicate a rocket type weapon instead of a gun. In the text “Kandauru siritha” (Order of the Camp) there is a reference to a battle which commences by the simultaneous firing of 400 “Wedi” meaning Gunfire/Artillery or any weapon using Gun powder.

Quite plausible. Not surprising if Chinese brought over 'hand gonnes' and Indians followed by Arabs provided development of fire guns in Ceilão.
Also to consider that, in the field of metalurgy, one of the earliest evidences of iron metalurgy was found in the area de Samanalawewa.
I bet you would know the work of Portuguese Captain João Ribeiro translated as The Historical Fatality of the Island of Ceylon, which memories he sent the King in 1685, where he gives account that Sinhalese war people used following arms;
Short swords of two and half palms (spans) which they called calachurros. The soldiers are Lascarins, some lancers with eighteen palms lances, some others musketeers, being rather sharp shooters; assuming these are not stone (flintlock?) but cord (matchlock?), they have spring as if they were. Others are archers and very good in that. Some bring muskets with eight palm barrels and forty pounds weight, shooting four ounce bullets. However they don't shoot them against their chest but have in the forearm two legs with one côvado (45 cms.)length ... they call these standing muskets ....

The most intriguing of these weapons is what they called calachurros, a term potentialy 'moulded' into portuguese, which i wonder if you Prasanna would familiar with, as to know its actual Sinhalese term and actual weapon model.

Just for fun a couple pictures of a beautiful Cingalo-Portuguese 'espingardão' (long gun) kept in the Metropolitan museum. Contrary to Jawa and Japan where in principle only matchlock models were copied, Goese and Sinhalese gun smiths also reproduced the so called Anselmo lock.

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[Prasanna Weerakkody]

Balooshi, Use of Makara is widespread in Sinhala art and it even appears commonly in the secondary motifs in the Kasthana. But the Hilt of the Kasthana is a lion head. If you take some time and may be look at my earlier base line in differentiating the Lion, Makara and Serapendiya heads you may start seeing the subtle differences in each. I know it is not clear to someone not used to the forms used by the Sinhala artists - I too had problems with these for a long time while studying Sinhala art history. Also the Lion head appears in two primary forms with a highly modified -grotesque form with a rounded knob-like canine tooth which represent early types with links to design elements akin to the Yapahuwa Kingdom Lion (Pre-Kotte), and the latter Lion heads that are influenced by the Europeanized Lion motifs with normal teeth.

You are correct in assuming the combined workshops. The Last Sinhala throne (which is now in the Colombo Museum) is a good example. The throne was a gift to the King from the Dutch and show Both Sinhala and Europeanized motifs. The workmen guilds within the Sinhala Kingdoms would stay true to Sinhala cultural system and motifs while workshops in the areas controlled by the Portuguese and Dutch areas seem to have produces many un-usual pieces.

Fernando- sorry I missed the reference in your earlier post, but the additional info is welcome. The issue about the Calachurros is something that had intrigued me for a while. The Sinhala swords are traditionally called “Kaduwa, Kagga, , Asi, Asi-patha etc. or does it mean there were a class of weapons at the time with a separate name in use that lead to the Kasthana; which may be the basis for Calachurro. still not clear of the affinities of the term. The short two and half palm sword may refer to a Roman Gladius type weapon commonly illustrated in temple art or a Kasthana as it fits the size of most examples. In the 14th century text “Dambadeni Asna” there is a list of 26 sword types carried in to battle- 10 of these are imported swords from countries including Indian, Javanese, Malay and Chinese. Among others the Short swords are listed as “Luhundu Kadu” and Curved bladed swords as “Wak Kadu”. Kasthana is not listed. -- And thanks again for the amazing gun image.

Also to note that a paper on the possible transitional sword I mentioned earlier is published in the “Ancient Swords, Daggers and knives in the Sri Lankan Museums” book I listed at the beginning of this thread.

Regards
Prasanna

[Ibrahiim al Balooshi]

Originally Posted by Prasanna Weerakkody

Balooshi, Use of Makara is widespread in Sinhala art and it even appears commonly in the secondary motifs in the Kasthana. But the Hilt of the Kasthana is a lion head. If you take some time and may be look at my earlier base line in differentiating the Lion, Makara and Serapendiya heads you may start seeing the subtle differences in each. I know it is not clear to someone not used to the forms used by the Sinhala artists - I too had problems with these for a long time while studying Sinhala art history. Also the Lion head appears in two primary forms with a highly modified -grotesque form with a rounded knob-like canine tooth which represent early types with links to design elements akin to the Yapahuwa Kingdom Lion (Pre-Kotte), and the latter Lion heads that are influenced by the Europeanized Lion motifs with normal teeth.

You are correct in assuming the combined workshops. The Last Sinhala throne (which is now in the Colombo Museum) is a good example. The throne was a gift to the King from the Dutch and show Both Sinhala and Europeanized motifs. The workmen guilds within the Sinhala Kingdoms would stay true to Sinhala cultural system and motifs while workshops in the areas controlled by the Portuguese and Dutch areas seem to have produces many un-usual pieces.

Fernando- sorry I missed the reference in your earlier post, but the additional info is welcome. The issue about the Calachurros is something that had intrigued me for a while. The Sinhala swords are traditionally called “Kaduwa, Kagga, , Asi, Asi-patha etc. or does it mean there were a class of weapons at the time with a separate name in use that lead to the Kasthana; which may be the basis for Calachurro. still not clear of the affinities of the term. The short two and half palm sword may refer to a Roman Gladius type weapon commonly illustrated in temple art or a Kasthana as it fits the size of most examples. In the 14th century text “Dambadeni Asna” there is a list of 26 sword types carried in to battle- 10 of these are imported swords from countries including Indian, Javanese, Malay and Chinese. Among others the Short swords are listed as “Luhundu Kadu” and Curved bladed swords as “Wak Kadu”. Kasthana is not listed. -- And thanks again for the amazing gun image.

Also to note that a paper on the possible transitional sword I mentioned earlier is published in the “Ancient Swords, Daggers and knives in the Sri Lankan Museums” book I listed at the beginning of this thread.

Regards
Prasanna

Salaams Prasanna Weerakkody ~ Thank you for the post. The difficulty I have is multi-facetted (rather like the problem).

The hilt is Makara. It breathes other deities onto the hilt in the proper manner for a Makara. These deities appear to be either Nagas (serpents/snakes) or smaller Makara and as shown by the little face which appears to be the half human half crocodile on the knuckleguard at Fernandos post at #56, once again, only released by Makara (FROM ITS MOUTH) and as seen coming from the Makara mouth at #57 photo 2; not from a Lions mouth.

The tails of the supporting other creatures appears as peacock designs and falls in line with Makara tail design... and which you agree are small Makara. These Makara deities do not emanate from lions mouths.

The Lion motif, on the other hand, can also be seen in the jaws of a Makara on architectural forms. I believe therefor that the Kastane Hilt is a Makara. Rounded or sharp teeth make no difference. It may be down to artistic impression but the form is The Mythological sea monster; Makara not Lion. See #25,39,52,62 65... etc

I use the example of the gun lock and the earlier axe plus the so far illustrated Kastane Hilts to demonstrate my observations.

It therefor transpires that research into the Kastane Makara hilt must be observed during the build up and possibly before the Portuguese position in the late 17th C.

I agree with the essential theory that there were joint workshops in those areas where Portuguese and Sri Lankan craftsmen were integrated and that in other areas pure Sri Lankan design must have prevailed.

Regards,
Ibrahiim al Balooshi.

[fernando]

Originally Posted by fernando

As i referenced in my post, those examples belong in the collection of German/Portuguese collector and arms historian Rainer Daehnhardt. He has written a few books approaching arms and armour from the Portuguese discoveries period/route and is the person i phoned to seek information on the portuguese influences in the kaskara ...

The same author that has no doubts in mentioning that the kaskara pommel is a lion. See my post #56 ... tongue, mane and all.

[Prasanna Weerakkody]

Balooshi, Including two images of Sinhala Lions with floral motifs emerging from the mouth. They are not Makara; as the body clearly is of a Lion not Makara.

[Ibrahiim al Balooshi]

Originally Posted by Prasanna Weerakkody

Balooshi, Including two images of Sinhala Lions with floral motifs emerging from the mouth. They are not Makara; as the body clearly is of a Lion not Makara.

Salaams Weerakkody ~ Nice Lions. They are however not breathing Deities or monsters. The stuff coming from their mouths is floral.

Makara breath monsters... Nagas (snakes or serpents) and the half crocodile, half human form variously as seen at almost every Kastane hilt and related picture on this thread. These sub-monster-deity forms include the often portrayed minor Makara sliding down the knuckle guard and onto the finger-ring like quilons and in addition displaying fan tails of the peacock... The Peacock fantail is yet another Makara indicator. (see #56.)

Makara are shown on the gun lock jaws, the axe, and the Kastane.

I put it to you that your Lions are late additions and unrelated to the Kastane Hilt which is of Makara form. In later forms perhaps post 18th Century I imagine artistic impression may have blended the two heads on certain projects though I urge that what we ought to be focusing upon is the original style Kastane hilt ...The Makara.

As a note to Forum I point to http://www.caravanacollection.com/?p...=kastane-sword (look also under Collection)where the author quite neatly describes the hilt as Makara and goes further to state the similarity of the guard with Mediterranean weapons previously not seen on Far Eastern sword styles and puts a 16th C. dateline to the mixture. I tend to agree with much of that.

Thus it is with the Portuguese/ Sri Lankan combined workshops that I focus.

Regards,
Ibrahiim al Balooshi.

[Prasanna Weerakkody]

Balooshi as I have noted in one of my earlier posts, the predominant Makara form in Sinhala art of the period emanates floral rather than animal motifs from its mouth. Including a few example images for reference.

Also the issue is not about the occurrence of Makara forms in the Guards etc. but the primary figure on the pommel Which is commonly accepted as a Lion head. - I cannot recollect seeing any figures portrayed on the Pommel depicted with other figures originating from its mouth except an extended tongue. If you got references to it pl. share.

[Ibrahiim al Balooshi]

Originally Posted by Prasanna Weerakkody

Balooshi as I have noted in one of my earlier posts, the predominant Makara form in Sinhala art of the period emanates floral rather than animal motifs from its mouth. Including a few example images for reference.

Also the issue is not about the occurrence of Makara forms in the Guards etc. but the primary figure on the pommel Which is commonly accepted as a Lion head. - I cannot recollect seeing any figures portrayed on the Pommel depicted with other figures originating from its mouth except an extended tongue. If you got references to it pl. share.

Salaams Weerakkody, 3 out of 4 of your photos show Makara having spilled out the Kirtimukha monster (itself normally seen, as it is here, on all 3 photos, devouring other monsters) and usually displayed at the top of the archway designs.This has been dealt with in # 57.

The 4th picture which is more difficult to analyze appears as a grey looking Makara rolling out a huge long curled serpent with fiery decoration or waves or other minor monsters engraved on it though it is difficult to deduce.

The floral additions that accompany the emission of deities and monsters in your pictures are secondary to the main theme... The Makara spews up primarily monsters and deities. The floral tributes are as a secondary, less important, added design feature.

If the Lion were the source upon the Kastane Hilt the accompanying main theme on the hilt would be floral... Its not..It is deities and other monsters because the hilt is a Makara design. Any flowery aspect on the Hilt is purely supporting but secondary to the main theme.

The Hilt, The KnuckleGuard, The Quillons and The Cross Guard are of one linked style. The Makara head at the Pommel pumps the half crocodile human "face" onto the mid Knuckleguard and minor Makara onto the Knuckleguard top and base plus Makara and Nagas onto the Quillons and crossguard. The tails illustrated are peacock form. Some secondary, quite flimsy, floral work usually appears on the grip and /or extends down the throat.

Therefor i would advise against separating the pommel decoration from the rest of the Hilt. The theme is the same ... Makara.

Best example ~See # 56.

Makara not Lion.

Regards,
Ibrahiim al Balooshi.

Note; see http://www.vikingsword.com/vb/showth...hlight=kastane for an unusual Knuckleguard with what appears to be a serpent(Naga) sliding up the Knuckleguard; in gold.

[fernando]

Originally Posted by Prasanna Weerakkody

... Kai, I will try to get a set of additional images of the sword with the permission of the owner....

A picture showing the lower part of the guard will be so much important; to check on the presumed Portuguese influences ... you know, the lower quillons bending in a closed arch towards to the blade .