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#1 |
Member
Join Date: Dec 2004
Location: Kuala Lumpur
Posts: 369
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Thank you for the in depth reply Alan.
So now, different set of rules of quality for different tangguh. Meaning tangguh knowledge is on top priority and probably meaning that if a Javanese keris does not fit into a specific tangguh, it probably does not reach the minimum requirement. When you say, "Superb craftsmanship may not necessarily indicate that you have a good keris in your hand", does this means that even if the keris can have superior material, workmanship and technical aspects (proportion etc), but it does not fit in certain tangguh hence posibly the keris is made by somebody that probably does not understand the keris? Are there any other reason for this? |
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#2 |
Member
Join Date: May 2006
Posts: 7,048
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Short answer:- yes.
Whether one believes that tangguh is a true indication of real age, or whether one believes it is a classification that has a relationship with the passing of time, doesn't really matter, but one must have a knowledge and understanding of tangguh before one can adequately appraise a keris. I don't know that it is a matter of "not reach minimum requirement"; I'd need to think about that and what it means, but it is certain that if one only understands, say, the Mataram Senopaten keris, one cannot adequately appraise either a Surakarta keris, or a Pajajaran keris, using the same guidelines. When I wrote the lines on "superb craftsmanship etc" I had in mind certain recently produced keris that really are superb examples of art and metal carving, but in my opinion, and the opinions of some other purists, these works are not keris. Art, yes, maybe even great art, but keris? No. |
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