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		#1 | 
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			 (deceased) 
			
			
			
				
			
			Join Date: Sep 2008 
				Location: Bavaria, Germany - the center of 15th and 16th century gunmaking 
				
				
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			This used to be in my collection some 20 years ago. 
		
		
		
			The head struck with a Gothic maker's mark of characteristic shape, a cross with four pellets, deeply struck three times in the Late Gothic tradition; the hardened blade significanty fire-welded (forge-welded) to the softer iron head. The original unstained ash haft branded with an (arsenal?) mark, N or Z (for Nuremberg or Zurich?). Heavily patinated overall. Overall length 119.7 cm, the head 27.4 x 22.0 cm. Foot soldier's axes of this kind in perfect condition are almost unrecorded. There is an exact illustration of such a fighting axe in Albrecht Altdorfer's painting for the St. Sebastian altar in the monastery of St. Florian near Linz, Austria, 1515-19 (see attachments). Best, Michael Last edited by Matchlock; 4th March 2012 at 09:30 PM.  | 
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		#2 | 
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			Nice one! That Germanic type remained in vogue for several centuries, unchanged, up to the 18th century. I have such similar axes in my collection.
		 
		
		
		
		
		
		
		
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		#3 | 
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			 (deceased) 
			
			
			
				
			
			Join Date: Sep 2008 
				Location: Bavaria, Germany - the center of 15th and 16th century gunmaking 
				
				
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			Can we see them, PLEASE?! 
		
		
		
		
		
		
		
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		#4 | |
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			 Quote: 
	
    although after looking at them they only similar, not exactly alike, though clearly of the same 'family'. The oldest one is the three-stamp with the cut out, appr. 1600-1650.
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		#5 | 
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			 (deceased) 
			
			
			
				
			
			Join Date: Sep 2008 
				Location: Bavaria, Germany - the center of 15th and 16th century gunmaking 
				
				
					Posts: 4,310
				 
				
				
				
				
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			Not bad though I feel a bit relieved that none is actually as characteristically Gothic -and of huge dimensions! - as mine was.   
		
		
		
		
		
		
		
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		#6 | 
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			Not those. I do have a gothic axe, circa 1500, but for woodworking. 
		
		
		
			Very similar to the one on the left here (woodcut by Durer, 1500):  | 
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