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#1 |
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Member
Join Date: May 2006
Posts: 7,134
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I've noted the question but I an unable to reply at the moment. 6.am here and I'm off to answer some very different questions at a couple of meetings in Sydney.
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#2 | |
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Keris forum moderator
Join Date: Aug 2006
Location: Nova Scotia
Posts: 7,261
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Quote:
Just to extend this a bit further, when we talk about Keris Pandai Saras they all usually show the same indicators that allow us to make that designation. Some may be straight, some luk, but we expect to see the same diamond cross section, a generally slim blade and similar application of greneng. It is therefore clearly identifiable as a Keris Pandai Saras, regardless of whether it was actually made by the famed pandai himself. At this point the O.P. has posted 4 keris that in my estimation show great differences in form far beyond the simple lurus/luk question. I note different cross-sections, greneng, even iron types. These 4 keris really couldn't be more dissimilar to my eyes. So if we do not hold the almost impossible provenance that these keris were actually made by Tok Chu himself, how or why should they all hold the same type name?
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#3 | |
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Member
Join Date: Jan 2012
Posts: 12
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Quote:
what i believed and most of Kelantanese keris lover believed, Tok Chu (pandai) did not produce only 1 type of keris. But it's have variations which also called as Keris tok Chu. another luk 3 tok chu keris owned by a royal family. new sheath.credit cikgu nasir |
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#4 |
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Member
Join Date: Jun 2009
Posts: 1,307
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Actually I suppose, the keris in Blu Erf's post (#8) is not correctly depicted, if I take a look on it's shadow. It could be longer then it seems. A pity we don't have more and proper pics of it.
As David stated, we see three absolutely different style keris in post #1, and material of them is of very different quality. Here is one similar to post #19 with talismanic inscriptions. |
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#5 | |
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Keris forum moderator
Join Date: Aug 2006
Location: Nova Scotia
Posts: 7,261
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Quote:
Gustav, your example is beautiful. Until now i would have assumed it to be a straight carita keris...
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#6 |
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Member
Join Date: Dec 2004
Location: Sweden
Posts: 1,637
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Gustav,
The keris you posted looks very "Danish" Did you beat me on it? Michael |
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#7 |
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Member
Join Date: Jun 2009
Posts: 1,307
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David and Michael,
it isn't mine. At that point I still wasn't aware Denmark would be such an interesting country for people interested in keris
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#8 |
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Member
Join Date: May 2006
Posts: 7,134
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David, I apologise for the misunderstanding, the question I noted was the one raised by Karttikeya.
I'm not buying into the "Tok Chu" discussion, as I am not familiar with the Peninsula belief systems relating to keris, however, Javanese makers can have many different styles attributed to them. They may work in a particular style that relates to a particular tangguh, but within that tangguh there can be a relatively wide variation in style. We tend to look at the way in which material has been managed, the material itself, and where present, the cutting of the greneng and especially the ron dha to give an attribution. The pawakan --- overall visual impression --- is important, but not nearly as important as the fine detail. Perhaps something similar might apply with Peninsula makers. |
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#9 | |
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Member
Join Date: Jan 2012
Posts: 12
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Quote:
no problem. since everybody have their own views base on what they have learnt , research etc. No doubt that tok chu keris famous with one type of keris which is broad, straight etc. But as a famous mpus , i can't believe he's only produce one type of keris during his time. Base on paperwork been discussed tok chu lived circa 1750++ or may be earlier. for detail can referred to ahmed Zaini in kelantan ...on characteristics of tok chu, he can explain better . not saying his 100% right but who knows something new can be found. |
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#10 | |
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Keris forum moderator
Join Date: Aug 2006
Location: Nova Scotia
Posts: 7,261
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#11 | |
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Member
Join Date: Jul 2009
Location: Singapore
Posts: 54
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