A new yataghan

delor · 29th January 2012, 10:00 AM

Contemporary engraver Antonio Montejano does an outstanding work based on traditional etching technics.
A video of the engraving of Picasso's Guernica onto a spanish folfing knife : http://www.youtube.com/watch?v=eJhmg8zH_b0

And some more "classic" work :

fspic · 29th January 2012, 04:03 PM

I suppose someone could go one step further and coat a blade with a photo sensitive solution and expose a negative through an enlarger. Then it could be acid etched and/or hand engraved. And you could be the first kid on your block to coat a blade and then expose it through a special camera like a tin type thus permitting "on the scene" image recording. That would be the next step in social and professional status seeking among engravers.

Someone desiring to compete with that could then go back to the middle ages and try to produce a camera obscura image landscape through a pin hole onto his sensitized blade. The image would then be hand chiseled. This should be the ultimate status in image reproduction and impression - until someone discovers some other way to achieve the task in a more primitive way and thus trumpet a victory.

29th January 2012, 10:00 AM	#1
delor Member Join Date: Feb 2005 Location: Marseille - France Posts: 73	Contemporary engraver Antonio Montejano does an outstanding work based on traditional etching technics. A video of the engraving of Picasso's Guernica onto a spanish folfing knife : http://www.youtube.com/watch?v=eJhmg8zH_b0 And some more "classic" work :

29th January 2012, 04:03 PM	#2
fspic Member Join Date: May 2010 Posts: 27	I suppose someone could go one step further and coat a blade with a photo sensitive solution and expose a negative through an enlarger. Then it could be acid etched and/or hand engraved. And you could be the first kid on your block to coat a blade and then expose it through a special camera like a tin type thus permitting "on the scene" image recording. That would be the next step in social and professional status seeking among engravers. Someone desiring to compete with that could then go back to the middle ages and try to produce a camera obscura image landscape through a pin hole onto his sensitized blade. The image would then be hand chiseled. This should be the ultimate status in image reproduction and impression - until someone discovers some other way to achieve the task in a more primitive way and thus trumpet a victory.