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|  20th December 2011, 12:19 PM | #1 | 
| Member Join Date: Jun 2006 
					Posts: 161
				 |  Photo of Peter II Mulich's "The Lion" cast in 1523 
			
			This photo, found on the web, is dated 1940, at the time this cannon was taken from the Army Museum in Paris and moved to the City Museum in Zwickau.  A drawing of this elegant cannon is in the previous post.  I'd like to know if this is the only surviving Peter Mulich cannon.  I've emailed the museum in Zwickau to ask if they can provide any better photos of this cannon.  If anyone has any better photos of this gun, please post them here.  There is apparently a photo of this gun in the book "Deutches Bronzegeschützrohre" which I don't have.   Last edited by cannonmn; 20th December 2011 at 07:41 PM. Reason: install umlaut | 
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|  22nd December 2011, 05:24 PM | #2 | |
| Member Join Date: Jun 2006 
					Posts: 161
				 |  Peter II Mulich casting of arquebus/hackbut/feuerbuchsen 
			
			Here's an  excerpt from a Google Book on the Elector Frederick which, although my German is poor, seems to clearly indicate Peter was involved in casting "buchsen."  There are so many different terms for this general class of weapons that it is confusing to non-German-speaking researchers, and perhaps some Germans as well. My latest question: Since now we know Peter II Mulich was a Feuerbuchsen-caster and not only a cannon-founder, are any other hackbuts/arquebus known which can be attributed to Peter Mulich of Zwickau (formerly of Nuremberg.) Quote: 
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|  22nd December 2011, 06:18 PM | #3 | 
| (deceased) Join Date: Sep 2008 Location: Bavaria, Germany - the center of 15th and 16th century gunmaking 
					Posts: 4,310
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			Hi John, I'm afraid it's a bit too risky to narrow the possible founder of your barrel down to just one person who was active in Zwickau. Nuremberg and Augsburg were the great centers of early gunmaking and founding in the 16th c. The flames you mentioned are by no way characteristic of a specific craftsmen or workshop but originated from the Italian 15th c. Renaissance where they firstly symbolized a fire throwing dragon or serpent-like monster and, using this zoomorphic ornamentation, were employed to make look firearm barrels like embodiments of monsters breathing fire. Soon after that, the flames became common in all kinds of arts and crafts; e.g. the vertical slits in the Landsknecht trousers derived from these flame ornaments. Best, Michael | 
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|  22nd December 2011, 06:48 PM | #4 | 
| Member Join Date: Jun 2006 
					Posts: 161
				 |  Thanks again. 
			
			Michael, thanks again for your information.  I do think there is something to be said for Peter II Mulich having used the rings of undulating flames as a trademark for his bronze cannons, as each one of the four for which drawings (including the one surviving specimen in bronze) have the same kind of decorative rings.  Using decorative rings of evenly-spaced wavy (undulating) flames is I think a bit stronger evidence than just flames per se.  Another thing to consider is that Peter II Mulich was indeed from Nuremberg, where his father had always practiced his trade, but he moved to Zwickau at some point in his career, apparently about 1520-23.  However these are merely idle ramblings or at most "food for thought, and you are indeed the expert and I am but a slow-learning and somewhat impetuous student. Two additional features of the "Schellenberg" hackbut may help tell us something. What looks like a proof-mark on the side of the flash pan seems to match some of those shown for Saxony in my 1943-dated two-volume Swedish-language set of Der Stoeckel. However the marks in the book are supposed to be much later than my gun, so who knows? A final feature to consider which may help identify the maker is the very prominent iron core-pin, or chaplet, which goes through the breech vertically and is exposed most noticeably on top. Chaplets were always used to hold the cores in place while casting cannons in those days. Have you seen such core pins or chaplets in other bronze hackbuts? Thanks again for sharing your incredible database and knowledge of these rare pieces. | 
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|  23rd March 2012, 11:03 PM | #5 | 
| Member Join Date: Jun 2006 
					Posts: 161
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			I had my "Ulrich von Schellenberg" hackbut "shot" by an x-ray analyzer today to see what it was made of.  I had always thought the metal would be similar to cannons, namely gunmetal, which is approximately 90% copper and 10% tin.  Poor innocent, ignorant me!  Here's what the analyzer came up with.  The very high iron and lead percentages were quite a surprise.  I wondered why there would be any aluminum at all, but some other things tested the same day which I know are antique, also showed around 3% aluminum.  Go figure! Test no. and ID: #10-Bronze Hackbut ca. 1510, presumed to be bronze Al – 3.62 Si – 7.24 P – 2.08 Ti - .33 Mn - .08 Fe – 17.23 Ni - .04 Cu – 24.68 Zr - .028 Sn – 5.16 Sb – 3.23 Ir – 2.84 Pb – 33.43 | 
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|  24th March 2012, 06:52 AM | #6 | 
| Member Join Date: Jun 2006 
					Posts: 161
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			All I can think of is that the x-ray tester made a mistake.  I had the operator shoot the machine at the muzzle of the hackbut to stay well clear of the small iron pieces nearer the breech.  He shot several other objects I had, all either iron or steel, and the results on all of those seemed quite reasonable.  I'm wondering if he had to change a setting on the machine to get a correct reading for a nonferrous object, and didn't do so?  I didn't tell him the hackbut wasn't iron like all the other things.  I'll have to ask him during the coming work-week.
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|  24th March 2012, 02:34 PM | #7 | 
| (deceased) Join Date: Sep 2008 Location: Bavaria, Germany - the center of 15th and 16th century gunmaking 
					Posts: 4,310
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			Hi John, This result does not puzzle me at all. Actually it represents what one should expect of early 16th c. bronzes; moreover it pefectly backs up metallurgic analyses of early-16th c. gun bronzes carried out in the 1960's, which I have menioned earlier on this forum. They even found traces of silver and other metallic components. I think this is due to at least three different facts: Firstly, raw ore in these ages could not be melted to be as pure as it can be today. Secondly, all the knowledge on the reliability of bronze the founders then had was based merely on practical experience. I would imagine them them to have deliberately added traces of other sorts of metal because they believed - or had learned - that these additions would make the outcome more durable. Thirdly, popular superstition played an enormous role in ages past. This means that people believed that certain substances just had to be added to whatever they were about to produce in order to ge a good result. It was magic make believe instead of today's hardheaded science that ruled over everday arts and crafts, including medicine and fireworks. When analyzing 16th-17th firework substances you e.g. find traces of urine - simply because it contained saltpeter - and various earths. People felt that that special mixture would guarantee a great outcome - and it obviously did. Please also cf. http://books.google.de/books?id=4Ozo...ronzes&f=false http://en.wikipedia.org/wiki/Bronze_Age http://en.wikipedia.org/wiki/Mining_...edieval_Europe When I had the varnish of one of my Landsknecht arquebus of. ca. 1540 spectroanalyzed in the early 1990's traces of silver and even gold were discovered - in the dark brown lacquer on an almost 500 year-old gun stock! Best, Michael Last edited by Matchlock; 24th March 2012 at 04:50 PM. | 
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