![]() |
|
![]() |
#1 |
Member
Join Date: Mar 2006
Location: Room 101, Glos. UK
Posts: 4,249
|
![]()
nepali 'laha' used to glue on khukuri grips is made from tree resin and buffalo dung (for the fibre), maybe with a bit of beeswax. smells wonderful when heated
![]() |
![]() |
![]() |
![]() |
#2 |
Member
Join Date: Dec 2004
Location: What is still UK
Posts: 5,890
|
![]()
Gum Arabic, might be more suited to the region. My dabblings with tree and damar is that they are brittle unless very thick in section. Mixed with bees wax makes it much less brittle but opaque and the colour will depend on how dark the wax is. Adding powdered charcoal also seems to add to the hardness. There are resins that when set are not brittle and clear, I have examples but have no idea what the source is.
Picture of resins and small piece of resin with beeswax and 1kg block of beeswax actually two 500g blocks fused together. Dark colours might come from resin found in the wild or locally preperation as opposed to buying an industrial prepared product. Also one has now idea what additions and handling an item might have been through in the original making. Last edited by Tim Simmons; 19th March 2011 at 09:58 AM. |
![]() |
![]() |
![]() |
#3 |
Member
Join Date: Jan 2011
Posts: 1,131
|
![]()
Some time back on a site dedicated to Kukri's they mentioned a mixture of resin and honey as the glue to fix tang into hilt. By the way, hooray, at last serious discussion about these fixatives. I think many of us have sadly looked at a dismounted tulwar and wondered how to get it back together.
One of the posters on sword forum international gave a rough compo he used on a kilij type sword that involved resin and brick dust along with, I think, sealing wax. |
![]() |
![]() |
![]() |
#4 |
Member
Join Date: Dec 2004
Posts: 1,247
|
![]()
I recall that the first volume of Traditional Bowyer's Bible had some recipes for traditional glues used with bows. Considering the stresses bows undergo, they might work okay.
F |
![]() |
![]() |
![]() |
#5 |
Member
Join Date: Jan 2007
Posts: 238
|
![]()
I have a kalis tang that appear to be fixed with Tien Ta Yao Gin
![]() ![]() |
![]() |
![]() |
![]() |
#6 | |
Member
Join Date: Oct 2007
Posts: 2,818
|
![]() Quote:
I must say everyone has put forth some great input in to the thread. I'd love to see it develop deeper in to manufaturing processes, even weapons specific. Gav |
|
![]() |
![]() |
![]() |
#7 |
Member
Join Date: Dec 2004
Location: What is still UK
Posts: 5,890
|
![]()
Many Indian and other Asian weapons have the tang set in a grainy plaster/cement like compound. In trying to repair a choora hilt I found the tang held with this substance which hand become very crumbly.
This substance is like a fine lime mortar. Lime mortar in ancient. Last edited by Tim Simmons; 20th March 2011 at 09:59 AM. |
![]() |
![]() |
![]() |
#8 |
Member
Join Date: Jun 2006
Location: ca, usa
Posts: 92
|
![]()
Ok, So Damar is just pine pitch glue (Damar Pine) with some combination of charcoal, beeswax, and some other hardening/bonding agent (clay,fiber,etc). That's been helpful reading, thanks. So if I understand this right, Damar and the European cutler's resin were relatively the same in so far as they are all pine pitch glues?
I found the whole process to make pitch glue nicely outlined here: http://www.survivaltopics.com/surviv...ng-pitch-glue/ |
![]() |
![]() |
![]() |
#9 | |
Member
Join Date: Dec 2004
Posts: 1,712
|
![]() Quote:
The Laha I saw used used in Dharan Nepal in 2005 was boiled tree resins,saps & tars mixed with hard powderd or ground substances like stone, bone & buffalo horn dust etc. untill it is of the right quality & consitancy. Occasionaly its dark brown mostly its black. I expect many different handy ingriediants have been chucked into it over the years. spiral |
|
![]() |
![]() |
![]() |
|
|