How late 15th to mid 16th century guns were aimed, in historic illustrations

fernando · 16th November 2010, 03:09 PM

The late gothic carvings in the low choir of the Toledo cathedral were made by the artist Rodrigo Alemán between 1495-1498. The main scene does in fact represent the conquest of Granada (El Alhambra) by the Catholic Kings.

fernando · 16th November 2010, 03:21 PM

Lower tier of choir stalls in the Coro, which were carved by Rodrigo Alemán in 1495 and feature 54 historical scenes from the conquest of Granada in remarkable detail. Each seat shows the defeat of a village.

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Spiridonov · 16th November 2010, 06:47 PM

Quote:

Originally Posted by fernando

Lower tier of choir stalls in the Coro, which were carved by Rodrigo Alemán in 1495 and feature 54 historical scenes from the conquest of Granada in remarkable detail. Each seat shows the defeat of a village.

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It is a very interesting infomation, Fernando! Do you have all of 54 historical scenes?

fernando · 16th November 2010, 07:36 PM

Maybe this will do.

You will find here 144 images, covering both low and high choir.

LINK

Spiridonov · 16th November 2010, 08:18 PM

Quote:

Originally Posted by fernando

Maybe this will do.

You will find here 144 images, covering both low and high choir.

LINK

Thanks, Fernando. I have found else images of handgonners from these resourse (unfortunatli there's too low resolution):

Matchlock · 17th November 2010, 08:33 AM

Thank you so much, Alexender, for sharing these!

m

RDGAC · 26th November 2010, 12:19 PM

Fascinating stuff, Michael! I'm especially captivated by the few I see where the user seems to be gripping the butt-stock beneath the crook of his arm - gets me wondering about "jezail grip" again, y'see.

Interesting also is the subject of sights. I recall a conversation on the Nihonto Message Board, in which I asked essentially a similar question to one mentioned earlier: "Why put fore and backsights on something so inaccurate as a smoothbore muzzle-loader?" The answer has yet to be found, but one fellow suggested that it might be partially explained by the near-constant Japanese desire to improve on their wares, no matter how fractionally. I'd certainly call putting fore, intermediate and back sights on a Tanegashima an improvement - and a fractional one, at that.

Might we be seeing something similar here: early European gunsmiths (at their own impulse, or the instigation of their buyers) attempting to improve the breed?

16th November 2010, 03:21 PM	#2
fernando (deceased) Join Date: Dec 2004 Location: Portugal Posts: 9,694	Lower tier of choir stalls in the Coro, which were carved by Rodrigo Alemán in 1495 and feature 54 historical scenes from the conquest of Granada in remarkable detail. Each seat shows the defeat of a village. . Attached Images

16th November 2010, 03:09 PM	#1
fernando (deceased) Join Date: Dec 2004 Location: Portugal Posts: 9,694	The late gothic carvings in the low choir of the Toledo cathedral were made by the artist Rodrigo Alemán between 1495-1498. The main scene does in fact represent the conquest of Granada (El Alhambra) by the Catholic Kings.

16th November 2010, 07:36 PM	#4
fernando (deceased) Join Date: Dec 2004 Location: Portugal Posts: 9,694	Maybe this will do. You will find here 144 images, covering both low and high choir. LINK

17th November 2010, 08:33 AM	#6
Matchlock (deceased) Join Date: Sep 2008 Location: Bavaria, Germany - the center of 15th and 16th century gunmaking Posts: 4,310	Thank you so much, Alexender, for sharing these! m

26th November 2010, 12:19 PM	#7
RDGAC Member Join Date: Mar 2010 Location: York, UK Posts: 167	Fascinating stuff, Michael! I'm especially captivated by the few I see where the user seems to be gripping the butt-stock beneath the crook of his arm - gets me wondering about "jezail grip" again, y'see. Interesting also is the subject of sights. I recall a conversation on the Nihonto Message Board, in which I asked essentially a similar question to one mentioned earlier: "Why put fore and backsights on something so inaccurate as a smoothbore muzzle-loader?" The answer has yet to be found, but one fellow suggested that it might be partially explained by the near-constant Japanese desire to improve on their wares, no matter how fractionally. I'd certainly call putting fore, intermediate and back sights on a Tanegashima an improvement - and a fractional one, at that. Might we be seeing something similar here: early European gunsmiths (at their own impulse, or the instigation of their buyers) attempting to improve the breed?