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#1 | |
Member
Join Date: Oct 2009
Posts: 171
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![]() Quote:
I personally think you are right about that belief. Can see the traces of java influences in peninsular keris culture. As for here, the cirebonese wronko is also hold some resemblances to coteng's sampir. By looking at the picture, the "caping" bears more percentage of similarities to the coteng sheath. Maybe a clearer picture from Sajen's crosspiece could be placed next to the coteng pix and to the cirebon iras example, where we can see clearly the similarities and differences, spot on. The carving on the crosspiece, IMHO tries to emulate the "third eye of shiva". However, I am not sure whether Cirebonese sampir could have this kind of carving. Or perhaps the carving comes later, for some purposes. There are possibilities. |
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#2 |
Member
Join Date: Jun 2009
Posts: 1,280
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In case of "composite" keris: the strangest photo ever I have seen, taken before 1920 probably in Aceh. Mendak-Selut are very close to ones on pompous Gowa keris (with hilts depicting Bhima(?) in lalitasana), hilts are looking like Banjarmasin. I remember to have seen a specimen very much like the left side sheath with a Madura hilt.
It seems, the left side keris have seen some practical use ![]() ![]() Last edited by Gustav; 15th May 2010 at 12:53 PM. |
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#3 |
Member
Join Date: Aug 2007
Location: Germany, Dortmund
Posts: 9,213
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Sampir comparison.
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