The style accords with Surakarta Ladrangan Capu, but there are variations to the interpretation that could be due to either original carving or to repair & refinishing of a damaged section. If the variations are the product of original carving it most probably indicates production in a place that was out of the mainstream influence of Surakarta. The variation I'm referring to is the way in which the janggut section of the wrongko has been foreshortened.
Last edited by A. G. Maisey; 2nd June 2025 at 11:56 PM.
Reason: clarification.
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2nd June 2025, 11:06 PM
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