Schiavona - The one that got away

[Philip]

Here are additional pics of the same schiavona. Note that the diagonal border of the basket, on the obverse side, is composed of two parallel bars, with "ladder rungs" in between them. This is the mark of a Type 2 hilt. The later and more ornate variants, Types 2a and 2b, have two and three rows of these rungs or steps, respectively, forming the outer border of the basket.

The well-preserved scabbard on this example has the iconic sailor's knot braided into the seam of the leather, representing the Republic of Venice's symbolic marriage to the sea.

[Victrix]

Originally Posted by Philip

The well-preserved scabbard on this example has the iconic sailor's knot braided into the seam of the leather, representing the Republic of Venice's symbolic marriage to the sea.

This was new to me. Great to learn something new! Thanks for posting. Beautiful scabbard. Do you think schiavonas were used at sea or was the sailor knot just symbolic?

Does anyone know the meaning of the circular spheres on the pommel in the specimen posted above by werecow?

[Philip]

Originally Posted by Victrix

. Do you think schiavonas were used at sea or was the sailor knot just symbolic?

I am trying to research that point myself. Venice, essentially a city-state, was primarily a maritime power, defending its far flung network of island and coastal trading centers. But at various times the Republic also controlled land areas in Lombardy, northeast Italia, coastal Croatia, and parts of mainland Greece. The situation is further complicated by the fact that the Republic's heyday coincided with the high period of mercenary warfare in Europe, and since its limited local landholdings made a supply of conscripts problematic, fighting men were recruited in significant numbers from elsewhere, especially Dalmatians and Stradioti from the Adriatic regions.

Venice's preoccupation with maritime affairs is exemplified by the annual ceremony during which the Doge and his court cruised on the massive gilded barge "Bucintoro" into open waters and threw a gold ring to the waves, to renew the Republic's vows of marriage to the sea. And for a long time, its main rival in Italy was Genoa, its seafaring counterpart on the other side of the peninsula.

I would tend to think that from a tactical perspective, a shorter weapon such as the storta , a broad-bladed cutlass or falchion, might be handier aboard the cramped decks of a galley.

[Victrix]

As schiavona means Slav then presumably these swords were predominantly from the Slavs living around the Adriatic in Venice, Dalmatia, and Montenegro. There were some Slav stradioti but I understand most were Greek and Albanian. At some times Venice controlled much of Dalmatia and also employed Dalmatian mercenaries. It seems schiavonas were typically Dalmatian (and Istrian?) and not used much in the hinterlands of Bosnia and Croatia/Hungary. If not donned and used on ships, the schiavonas must have been used at least to defend the many walled cities on the coast like Dubrovnik (Ragusa), Split (Spalato), Zadar (Zara), etc.

[Philip]

Originally Posted by Victrix

As schiavona means Slav then presumably these swords were predominantly from the Slavs living around the Adriatic in Venice, Dalmatia, and Montenegro. There were some Slav stradioti but I understand most were Greek and Albanian. At some times Venice controlled much of Dalmatia and also employed Dalmatian mercenaries. It seems schiavonas were typically Dalmatian (and Istrian?) and not used much in the hinterlands of Bosnia and Croatia/Hungary. If not donned and used on ships, the schiavonas must have been used at least to defend the many walled cities on the coast like Dubrovnik (Ragusa), Split (Spalato), Zadar (Zara), etc.

It would be logical to assume that the style of weaponry followed the custom of the mercenaries using it. Yes, the Stradioti were mostly Greek and Albanian, and with these troops one would expect the "eared" hilted swords with sharply tapering blades to be the norm (three examples in the Bargello shown as fig. 33 in Ada Brunn Hoffmeyer's article "From Medieval Sword to Renaissance Rapier".

And it's true that not all Venetian military action was naval, since the Republic occupied and ruled fortified towns and harbors throughout the eastern Mediterranean as well, both on mainland and island territory. A sword like the schiavona would have been quite appropriate in defense of these positions. The extent of their use, or that of any other type of sword, was probably dictated by the ethnic or geographic origin of the troops involved in the area in question.

The question of the schiavona's use throughout the inland part of Croatia or Hungary is an interesting one. Hungary had great influence and control over parts of Croatia during the late Middle Ages. It's interesting to look at the schiavona's predecessor, the open-hilted broadsword with horizontal S guard and squarish pommel (sometimes with "proto-ears" on the upper corners), called in Italian arms literature la spada alla schiavonesca. This "sword in Slavonic style" exists in great numbers in the Armory of the Palazzo Ducale in Venice, and has strong affinities in form to the typical medieval Hungarian sword. The square pommels, many with central bosses and some with "earlets" , were also carried over into the numerous variations of hilts on the Venetian spade da fante or foot-soldiers' swords, of which numerous examples, dating from the late 15th- beginning 16th cent., are also to be found in the Doge's Armory.

The scabbard of the typical schiavona also has a rather Hungarian flavor, with the reinforcing straps on each side on its lower third, secured with numerous bands along their length. You also find this treatment on Polish hussar saber scabbards, the weapon having a point of common origin in Hungary.

Whether these influences flowed the other way, such as the basket hilted schiavona achieving any degree of popularity in Hungary, is something that can be looked into. All I can say at this point is that having visited a number of arms collections in Hungarian museums, schiavone were not in evidence.
.

[Victrix]

Originally Posted by Philip

It would be logical to assume that the style of weaponry followed the custom of the mercenaries using it. Yes, the Stradioti were mostly Greek and Albanian, and with these troops one would expect the "eared" hilted swords with sharply tapering blades to be the norm (three examples in the Bargello shown as fig. 33 in Ada Brunn Hoffmeyer's article "From Medieval Sword to Renaissance Rapier".

And it's true that not all Venetian military action was naval, since the Republic occupied and ruled fortified towns and harbors throughout the eastern Mediterranean as well, both on mainland and island territory. A sword like the schiavona would have been quite appropriate in defense of these positions. The extent of their use, or that of any other type of sword, was probably dictated by the ethnic or geographic origin of the troops involved in the area in question.

The question of the schiavona's use throughout the inland part of Croatia or Hungary is an interesting one. Hungary had great influence and control over parts of Croatia during the late Middle Ages. It's interesting to look at the schiavona's predecessor, the open-hilted broadsword with horizontal S guard and squarish pommel (sometimes with "proto-ears" on the upper corners), called in Italian arms literature la spada alla schiavonesca. This "sword in Slavonic style" exists in great numbers in the Armory of the Palazzo Ducale in Venice, and has strong affinities in form to the typical medieval Hungarian sword. The square pommels, many with central bosses and some with "earlets" , were also carried over into the numerous variations of hilts on the Venetian spade da fante or foot-soldiers' swords, of which numerous examples, dating from the late 15th- beginning 16th cent., are also to be found in the Doge's Armory.

The scabbard of the typical schiavona also has a rather Hungarian flavor, with the reinforcing straps on each side on its lower third, secured with numerous bands along their length. You also find this treatment on Polish hussar saber scabbards, the weapon having a point of common origin in Hungary.

Whether these influences flowed the other way, such as the basket hilted schiavona achieving any degree of popularity in Hungary, is something that can be looked into. All I can say at this point is that having visited a number of arms collections in Hungarian museums, schiavone were not in evidence.
.

Philip I think you are right. The square pommel, sometimes with a central boss, is typical Hungarian and you find a lot of examples there. I think most Hungarian swords were produced in Northern Italy near Brescia which explains why this type of pommel is also common in Venice. Pre-WWI Hungary was quite big and included Croatia, Slovakia and parts of what is now Serbia I believe (who were mostly Slavic/Slavonic). Presumably they often used the spada schiavonesca which is the Slavic/Slavonian sword. The schiavona got its pommel from there and probably the scabbard as you pointed out. In my opinion the evidence shows that the schiavona was a Dalmatian sword, and that it was not used in the hinterland of Croatia and Bosnia where the hussar sabre was instead adopted in 17-18thC and the dussägge in 16thC. Curved swords were favoured by cavalry.

[Philip]

Originally Posted by Victrix

I think most Hungarian swords were produced in Northern Italy near Brescia which explains why this type of pommel is also common in Venice. Pre-WWI Hungary was quite big and included Croatia, Slovakia and parts of what is now Serbia I believe (who were mostly Slavic/Slavonic).

Blade production in Lombardy and Veneto was spread between several important towns with large-scale output, the Venetians who governed the areas exported them widely by means of their mercantile genius. Principal Lombard blade centers were Caino and Bergamo. Belluno, in the Veneto region, was known for distinctive hilts (such as the graceful style seen on rapiers and riding-swords, with ball pommels, wide quillons, and tre ponti swept guards) as well as blades; it seems that the city was a prime supplier of arms for the Republic. I have no doubt that many schiavone as well as other swords originated there. Do you have the book I Grandi Spadai Feltrini e Bellunesi by Michele Vello and Fabrizio Tonin? It's fully bilingual, well researched, and fascinating.

Yes, the influence of Hungary cannot be denied. It seems that Croatia, despite Venetian dominance of the coast, was never fully out of the Hungarian shadow. Geographically, the country is like an upside down L, with the shorter arm pointing east and bordering Hungary. The Balkans can be such a complex region!

Yes, Serbia has a Slavic culture and language. The divide between Serbs and Croatians is mainly religion (Orthodox vs Roman Catholic) and the written language. A friend who has lived part of his life in former Yugoslavia tells me that the spoken languages are very similar, but due to the historical and religious background, one uses Roman and the other Cyrillic letters. Unfortunately this has also had political repercussions that turned out quite nasty during World War II.

[Philip]

Originally Posted by Victrix

In my opinion the evidence shows that the schiavona was a Dalmatian sword, and that it was not used in the hinterland of Croatia and Bosnia where the hussar sabre was instead adopted in 17-18thC and the dussägge in 16thC. Curved swords were favoured by cavalry.

Victrix, I agree wholeheartedly.

You mention the düssage, another very interesting weapon. I note that this Germanic term seems related to the name tessak, applied to a short bladed and generally curved sword in Poland, Russia, and other eastern countries. Do you also see a structural / functional relationship between it and the north Italian storta / coltellaccio ? Different name but similar in size and proportions.

The appeal of curved blades to horsemen has a functional basis (cutting efficiency for sweeping cuts from the saddle), undoubtedly inspired by the military traditions of forces such as Tatars, Seljuks, Ottomans, and other Eastern peoples.

[fernando]

Originally Posted by Victrix

... Does anyone know the meaning of the circular spheres on the pommel in the specimen posted above by werecow?

I wouldn't know the meaning but, i (think i) discern the same detail in a high end example (gold embeded) in the 'Spanish style' of the XVII century (Collection Rainer Daehnhardt).
Note that, although the general assumption that the figure often seen in pommels is a cat's (or wolf's) head, there are those who take it as more probable that it is a more or less stylised lion, with the relation of Venice with its symbol of power, the lion of Saint Marcus.
(Sorry for the poor pictures )


.

[Philip]

Originally Posted by fernando

Note that, although the general assumption that the figure often seen in pommels is a cat's (or wolf's) head, there are those who take it as more probable that it is a more or less stylised lion, with the relation of Venice with its symbol of power, the lion of Saint Marcus.
(Sorry for the poor pictures )


.

Good point, Nando. Yes, even the Italian arms literature refers to "testa di gatto". Some see a stylized pussycat profile, others envision the Lion of St Mark. There is a certain zoological consistency, at least.

[Victrix]

Originally Posted by fernando

I wouldn't know the meaning but, i (think i) discern the same detail in a high end example (gold embeded) in the 'Spanish style' of the XVII century (Collection Rainer Daehnhardt).
Note that, although the general assumption that the figure often seen in pommels is a cat's (or wolf's) head, there are those who take it as more probable that it is a more or less stylised lion, with the relation of Venice with its symbol of power, the lion of Saint Marcus.
(Sorry for the poor pictures ).

Yes good point. The winged lion was the symbol of St.Mark and also the symbol of Venice who had him as a patron saint. Incidentally the coat of arms of Dalmatia also has three crowned lions.