Afghan shashkas

mariusgmioc · 26th September 2019, 07:28 PM

Quote:

Originally Posted by mahratt

Ok. But why then make scabbard in the upper part oval (in cross section)? This is good for shashka. But it is not necessary for shamshir.

Good point!

You are probably right as the scabbard for a shamshir would only have a slot for the blade and would not fit a hilt.

Jim McDougall · 26th September 2019, 08:32 PM

While Im no expert on shashkas, nor especially shamshirs, Ive never seen a shamshir with opening slot except on purely Ottoman examples with 'extremely' parabolic (deeply curved) blades ( I have one of these with narrow deeply curved blades with long scabbard slot to accommodate).

That is why I noted this blade seems more curved than the examples I have seen of the ubiquitous 'Assad Allah' blades with lion pictograph (as I mentioned earlier per the Pinchot article of 2002 I cited).

I feel pretty sure this scabbard is made for this shashka for that among other features, for example, aren't the 'reverse' carry rings a distinction of the Caucasian shashkas ?

The points made pertaining to the tang are well made, and I honestly missed that (bonk) . The tang would most certainly need to be lower to accommodate this hilt. For me, more suggestion that the scabbard was made to fit this sword. As Charles has mentioned, the 'arabesque' engraving on the mounts do not seem in character with Persian work (of course) and the nature of the mounts seem more Caucasian, in my perspective.

When Elgood noted Caucasian blades often found in Arab context, it would seem perhaps these Persian trade blades may have entered the mix of blades coming from those regions in trade. If they were indeed present in the Caucusus, is it not possible for one to be mounted in the Caucasian manner accordingly in those regions?

I do not mean to detract from the Afghan attribution here, but honestly am asking these things to better understand the possibilities. I notice also the scabbard chape 'drag', which is a European sabre feature, and Afghans in the latter 19th c. were becoming profoundly Anglicized. A normal shashka scabbard chape would not have a 'drag' in Caucasian context, but perhaps an Afghan would given these circumstances.

mahratt · 27th October 2019, 08:52 PM

Book illustration: "The Life of Abdur Rahman, Amir of Afghanistan Volume 2"

ariel · 27th October 2019, 10:55 PM

Jim,

I have a Georgian Khmali and a spare Caucasian Shashka’s chape, both with drags.

I also have 2 Afghani pseudo-shashkas, both without drags.

My guess , drags were relatively recent additions, designed primarily for infantry officers or for the cavalry ones who had to carry them to the regimental balls:-)
They were just protectors of the scabbard tips.
They migrated to the “Orient” from Europe; again my guess,- not earlier than the early 19 century ( Caucasian), late 19 for the Afghani examples.

Neither of my Afghani pseudoshashkas have throat slits, and I can’t recall one. No miracle: they were not deeply curved and did not need a slit.
The more I look at it, the more I think that this gorgeous pseudo-shashka was reworked, re-assembled from different parts and massively prettified. Right now I would not be able to disagree with the idea that the “ prettyfication” process was done recently: far too many inconsistencies.

mahratt · 28th October 2019, 04:56 AM

Many thanks for your opinion, drawn up on the basis of your 4 shashkas. It’s always nice to see how a person is trying to think and compare something.

Quote:

Originally Posted by ariel

I think that this gorgeous pseudo-shashka was reworked, re-assembled from different parts and massively prettified. Right now I would not be able to disagree with the idea that the “ prettyfication” process was done recently: far too many inconsistencies.

To make any serious conclusions about the item on the basis of photographs (without holding the item in hand) is certainly a sign of “great specialist”. I am flattered that I am on the same forum as YOU and can get your opinion. Thank you so much!

Kubur · 28th October 2019, 04:25 PM

Look at the scabbard of the guy in Samarkand...

Jim McDougall · 28th October 2019, 06:39 PM

Ariel thank you for the response, insights and interesting observations. As someone also fascinated with Afghan and Central Asian shashkas I must say I feel like I am 'among giants' with the perspectives given here. I admit despite years of studying these myself, I am by far still learning.
Kubur, great images!!! Really add dimension to this view into these.

On the scabbard 'drag', what I learned of these is perhaps hyperbole, but with European swords, it was fashionable in the 'hussar' trend, to wear sabers low slung and virtually dragging along as the individual walked. ...much in the manner of clinking spurs with cowboys. Naturally the hand of the sabre was probably more to the position while mounted, but the characteristic set a fashion.

There is likely a more pragmatic explanation in the scabbard structure itself, but the style in the case of these Afghan shashkas may have been simply adopting European military fashions.

mahratt · 28th October 2019, 09:03 PM

Quote:

Originally Posted by Kubur

Look at the scabbard of the guy in Samarkand...

Kubur, you are absolutely right. The scabbard with the element that I circled in red (if I understand correctly, the discussion was about it) has been marked in Afghanistan since the first half of the 19th century.
Color lithography is the 1840s (from the watercolors of Lieutenant Rаttrаy), the black and white image is an illustration from book Bellew: Journal Of A Political Mission To Afghanistan In 1857 (here we can see the afghan shashka) https://archive.org/details/journalo...501mbp/page/n7

26th September 2019, 08:32 PM	#2
Jim McDougall Arms Historian Join Date: Dec 2004 Location: Route 66 Posts: 9,800	While Im no expert on shashkas, nor especially shamshirs, Ive never seen a shamshir with opening slot except on purely Ottoman examples with 'extremely' parabolic (deeply curved) blades ( I have one of these with narrow deeply curved blades with long scabbard slot to accommodate). That is why I noted this blade seems more curved than the examples I have seen of the ubiquitous 'Assad Allah' blades with lion pictograph (as I mentioned earlier per the Pinchot article of 2002 I cited). I feel pretty sure this scabbard is made for this shashka for that among other features, for example, aren't the 'reverse' carry rings a distinction of the Caucasian shashkas ? The points made pertaining to the tang are well made, and I honestly missed that (bonk) . The tang would most certainly need to be lower to accommodate this hilt. For me, more suggestion that the scabbard was made to fit this sword. As Charles has mentioned, the 'arabesque' engraving on the mounts do not seem in character with Persian work (of course) and the nature of the mounts seem more Caucasian, in my perspective. When Elgood noted Caucasian blades often found in Arab context, it would seem perhaps these Persian trade blades may have entered the mix of blades coming from those regions in trade. If they were indeed present in the Caucusus, is it not possible for one to be mounted in the Caucasian manner accordingly in those regions? I do not mean to detract from the Afghan attribution here, but honestly am asking these things to better understand the possibilities. I notice also the scabbard chape 'drag', which is a European sabre feature, and Afghans in the latter 19th c. were becoming profoundly Anglicized. A normal shashka scabbard chape would not have a 'drag' in Caucasian context, but perhaps an Afghan would given these circumstances. Last edited by Jim McDougall; 26th September 2019 at 08:52 PM.

27th October 2019, 08:52 PM	#3
mahratt Member Join Date: Nov 2009 Location: Russia Posts: 1,042	Book illustration: "The Life of Abdur Rahman, Amir of Afghanistan Volume 2" Attached Images

27th October 2019, 10:55 PM	#4
ariel Member Join Date: Dec 2004 Location: Ann Arbor, MI Posts: 5,503	Jim, I have a Georgian Khmali and a spare Caucasian Shashka’s chape, both with drags. I also have 2 Afghani pseudo-shashkas, both without drags. My guess , drags were relatively recent additions, designed primarily for infantry officers or for the cavalry ones who had to carry them to the regimental balls:-) They were just protectors of the scabbard tips. They migrated to the “Orient” from Europe; again my guess,- not earlier than the early 19 century ( Caucasian), late 19 for the Afghani examples. Neither of my Afghani pseudoshashkas have throat slits, and I can’t recall one. No miracle: they were not deeply curved and did not need a slit. The more I look at it, the more I think that this gorgeous pseudo-shashka was reworked, re-assembled from different parts and massively prettified. Right now I would not be able to disagree with the idea that the “ prettyfication” process was done recently: far too many inconsistencies. Last edited by ariel; 27th October 2019 at 11:39 PM.

28th October 2019, 04:25 PM	#6
Kubur Member Join Date: Jun 2013 Posts: 2,145	Look at the scabbard of the guy in Samarkand... Attached Images

28th October 2019, 06:39 PM	#7
Jim McDougall Arms Historian Join Date: Dec 2004 Location: Route 66 Posts: 9,800	Ariel thank you for the response, insights and interesting observations. As someone also fascinated with Afghan and Central Asian shashkas I must say I feel like I am 'among giants' with the perspectives given here. I admit despite years of studying these myself, I am by far still learning. Kubur, great images!!! Really add dimension to this view into these. On the scabbard 'drag', what I learned of these is perhaps hyperbole, but with European swords, it was fashionable in the 'hussar' trend, to wear sabers low slung and virtually dragging along as the individual walked. ...much in the manner of clinking spurs with cowboys. Naturally the hand of the sabre was probably more to the position while mounted, but the characteristic set a fashion. There is likely a more pragmatic explanation in the scabbard structure itself, but the style in the case of these Afghan shashkas may have been simply adopting European military fashions.