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#1 | |
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Join Date: Oct 2008
Location: Manila, Phils.
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Browsing the book Filipinas 1874 by Jose Honorato Lozano, however, I stumbled upon the image below of the Mayoyao Igorot. The translation of the Spaniard's description of said Igorot tribe is: "There is one ferocious tribe among the Igorots; these are the Mayoyaos depicted in the plate. They inhabit the mountains near Nueva Vizcaya [a province adjacent to the Cordillera]. Even if pursued, it is often impossible to control them."This lends credence thus to the report that the spike is indeed used to pick up (and even carry) the severed head. Am sure the triumphant warrior would like to prominently display such head atop the axe's spike, upon his return to his home village. However, the more known way of bringing back the head-trophy is via the so-called "head basket". Given that the trip back home can be a day's hike or more, great care has to be taken in ensuring the head will not get spoiled! ![]() PS - In the image, note though that the position of the handle vis-a-vis the axe head is at the center, instead of on the forward edge. Apparently that's due to an inaccurate recollection of the 19th century Spaniard who wrote the story. |
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#2 |
(deceased)
Join Date: Dec 2004
Location: OKLAHOMA, USA
Posts: 3,138
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HERE IS AN INTERESTING DANCE AX FROM CAMEROON AFRICA. IT IS SAID TO BE USED BY THE BANA,KAPSIKI, FALI AND KIRDI TRIBES FOR DANCES AND CEREMONY. THIS EXAMPLE IS 15 X 7.5 IN. AND HAS AN ALUMINUM BLADE. HOW FAR BACK THIS FORM OF AX GOES.
![]() SO DID THE FORM DEVELOP IN AFRICA OR IN THE PHILIPPINES AND DID IT DEVELOP FROM A TOOL, A CEREMONIAL OBJECT OR WAS IT ORIGINALLY A WEAPON, THE JURY IS STILL OUT. ![]() |
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#3 | |
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Join Date: Oct 2008
Location: Manila, Phils.
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All I can say is that this raises more questions, which is good because we may be able to finally as a result, stumble upon the "true value" ![]() |
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#4 |
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Join Date: Aug 2007
Posts: 293
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I suspect that the use of the term "Kalinga" (for the Kalinga axe) started no earlier than the mid 19th century (likely during the American occupation 1898 to early 1900s). During this period, the area of Northern Luzon which now includes the province of Cagayan (home of the Ibanag) was erroneously believed to be home of the Kalinga peoples. This error, I believe may have been due to the fact that knowledge of the indigenous peoples living there was scant, and "Kalinga" was used as a general word to refer to those peoples living in that area. Later, after extensive study, we now know that the area mentioned are home to many other peoples.
The mention of the term "Buneng" (refering to the axe) by the Ibanag in the 17th century is interesting. I believe that "Buneng" comes from the word "Buneg" - meaning river. Ibanag (or i-buneg) means something or someone/people from the river. The Ibanag people occupy the northern Luzon areas close to the large Cagayan river. It is through these large waterways that goods acquired through trade from traders (e.g. China, Japan, Borneo, etc), goods such as iron, were bought, transported and sold by the coastal (sea) inhabintants to other coastal (riverine) peoples, and thereafter to peoples living inland or the mountains. Such was the trading network. The riverine coasts were magnets for early Filipinos to reside due to this trade. It was also logical to have blacksmiths in these coastal (sea and riverine) villages work iron to produce weapons for sale. Thus, it seems probable that the "Buneng" Axe was so called because they were made those villages, i.e. villages along the "Buneg", e.g. Cagayan river or its secondary waterways. My 2 cents |
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#5 |
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Join Date: Aug 2007
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The painting by Jose Honorato Lozano shows a male Ifugao/Ifugaw. Not only is he holding an axe, but also bow and arrow. It is known that the Ifugao have long time ago disregarded the use of the bow and arrow, and so I am wondering why such weapon appears in a 19th century painting.
There are historical accounts describing the headaxe being used to pick a severed head. I doubt however if Lozano has ever actually seen it happen. I suspect that his painting was based on stories he has heard or read. Indeed, more questions than answers... |
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#6 | |
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Join Date: Oct 2008
Location: Manila, Phils.
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Like what's that two-pronged spear the Igorot is holding? And then the axe is shown with a loop for its hilt and it has hair or fibers in it. On the other hand, the painter got right the distinctive haircut with bangs in front, and then long hair at the back plus that small bowl-like weaving that is used as sort of a headdress. On head-axes in general, below are more pics gathered from various coffee table books. |
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#7 |
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Join Date: Oct 2008
Location: Manila, Phils.
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Some more pics, taken from another forum: Filipinas Collection Thread 3.
Thread by the way has lots of old Philippine pics definitely worth checking out. |
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