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#1 |
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Member
Join Date: May 2006
Posts: 7,154
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Gustav, in respect of your post #7.
I have now had a chance to examine my photographs and notes of EDb16. I cannot recall that we had an argument about the way in which this pamor had been produced, but we probably did discuss it, I say this because in my notes I commented:- "The pamor in this K. is skillfully manipulated" as you have remarked, this pamor pattern was very difficult to see, it did not come through in my photographs, which were not particularly big images, I was using a Canon S95 & in raw, this produced images that were adequate for what I was doing at the time, but even with more modern (this was 2012 I think) & more sophisticated equipment, I doubt that the pamor could have been captured. In fact, that pamor was so difficult to see that I sketched the motif, & here below is that sketch. I've forgotten what my impressions were at the time, but looking at the sketch, my impression now is that if a bar was used to produce this pamor, that bar was probably tightly twisted & then bent into a series of "S" bends, something similar a lawe setukal pamor, but in different orientation. This was a large, strongly made keris, ample evidence that by the 17th century smiths in Jawa did have more than adequate skills to produce very refined blades. After that visit to the museum's stored collections I did exchange some correspondence with the curator there, & in that correspondence I was advised that this keris was in the collection from at least 1674, possibly earlier. |
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#2 |
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Member
Join Date: Jun 2009
Posts: 1,308
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Alan, thank you for the insights on EDb 16.
Two more pictures from the auction house, a better view for the grasp of Blumbangan side, and the Walang Sinudhuk side of the tip. Last edited by Gustav; 23rd November 2025 at 11:01 AM. |
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#3 |
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Member
Join Date: Jun 2009
Posts: 1,308
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An update:
blade length: 36,8 cm. Gonjo length: 8 cm. It isn't Keris Lombok, the question is - East Java or Bali? It has an old, very smooth finish, which is commonly associated with Bali, yet in the first part of 19th cent. such finish was possible also on East Javanese Keris. Sheath likely is made for the blade, blade is evenly sunken in, inside of sheath is not fiddled with recently, sheath is on small side, yet acceptable for Balinese Keris. Kendhit on hilt is natural. |
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#4 |
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Member
Join Date: Jun 2009
Posts: 1,308
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With sheath.
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#5 |
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Member
Join Date: May 2006
Posts: 7,154
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If I apply the Surakarta tangguh indicators to this keris blade, it is unmistakably Madura --- which makes it East Jawa.
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#6 |
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Keris forum moderator
Join Date: Aug 2006
Location: Nova Scotia
Posts: 7,267
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Here is another Bali dressed keris with pamor tangkis. I am curious what the consensus might be on the origins of this blade. It is perfectly fitted to the sarong so clearly this dress was made specifically for the blade. Length is jusrt shy of 38cm.
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#7 |
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Member
Join Date: May 2006
Posts: 7,154
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This is a brief summary taken from Surakarta sources of indicators for a keris blade made in Madura:-
coarse iron, thick pamor, distinct step from iron to contrasting pamor material ( this is not evident when a blade is polished), rotan (rattan) shaped cross section, rather upright, penitis/penatas (this is the absolute point) is too small, distance from final luk to point is long, gonjo is ugly-rather straight, looks awkward, buntut urang narrow & small, gandhik is short, low, small, thin, usually no tikel alis, very small kembang kacang, blumbangan not well defined, odo-odo rarely found, kruwingen shallow if it exists at all, wadidang runs on middle line Madura work is overall very poor work, only the work of Mpu Koso is any good, Mpu Macan was also good, but his production was very small. ~~~~~~~~~~~~~~~~~~~~~~~ This is a summary of a summary, & that initial summary was compiled from my notes for my guidance, more as memory hooks than as a guide book. The above is the way in which a very highly respected ahli keris in Surakarta during the period from about 1970 through to about 2010 would look at and assess characteristics in order to form an opinion on whether or not a keris blade had been made in Madura. It was not, is not necessary to get a 100% agreement, the opinion is formed upon balance of characteristics. The period I have named is what I know for certain from personal experience, but if we go back to earlier sources we will find similar indicators mentioned. Historically Bali has had strong ties with Madura, & still does. King Baturengang had the desire of conquest & colonisation, but this did not eventuate, however, from the late 16th century, & seemingly continuing for a very long time thereafter, there were a number of small Balinese incursions into Madura, and there are some small areas of Madura where the inhabitants are of Balinese mixed descent. It is not at all unusual to find Madura & Javanese keris in Balinese dress. Additionally, Bali had a large part of Lombok under its control for many years, and Balinese keris made in Lombok are virtually impossible to differentiate from Balinese keris made in Bali, keris used in Balinese dress but not made by a Balinese mpu can sometimes be identified, or rather given the probability of having been made in Lombok. |
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