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#1 | |
Member
Join Date: Apr 2005
Posts: 3,255
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Hello Albert,
Quote:
That's a longer and wider blade than expected (by me); a bit on the thin side though. The blade might be laminated - difficult to verify due to the corrosion; I can't make out any pamor which could have helped to narrow down the origin. Can you make out any differences in silver quality between the ferrule (with the ellipsoid motif) vs any other parts (especially with filigree and possibly also the cap of the hilt at the base of the blade? I'd be inclined to stick with my vote for Sulawesi (pommel and possibly blade); my guess would be that (most of) the silver work is modern though. Regards, Kai |
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#2 |
Member
Join Date: Jun 2005
Location: The Netherlands
Posts: 202
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Thank you all for your valuable input!
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#3 |
Vikingsword Staff
Join Date: Dec 2004
Location: The Aussie Bush
Posts: 4,398
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Albert, did you reach a final conclusion?
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#4 | |
Member
Join Date: Jun 2005
Location: The Netherlands
Posts: 202
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![]() Quote:
I still hope to find some additional information in old literature or old photo's. |
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#5 |
Member
Join Date: Sep 2005
Location: Singapore
Posts: 427
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Just popping this typical sewar here in case anyone searches for Sumatra filigree. The work here is very basic and likely added later.
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#6 |
Member
Join Date: Oct 2007
Posts: 2,818
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As noted in previous threads, the method is found in many parts of the world.
When I consider the Gunong references and the spear images previously posted, the styles and manufacture methods are found throughout the Muslim communities in larger Asian continent and in particular where the Gunong decorative applications are concerned more broadly, the same material applications are seen on many Jambiya. Given the hilt style and over all dress of Albert's sword, I'd have placed this regionally as Celebes |
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