Toledo Rapier Info

[Jim McDougall]

Originally Posted by Philip

Thanks, Jim, for posting the reference page on the evolution of the "Passau wolf" symbol. The most frequently seen styles are those of the 17th cent., but in looking at the evolution of the iconic beast as a whole, it's amazing to see the variations, bordering on the fanciful. Note some of them with rather equine necks and heads, one that can be mistaken for a shrimp or prawn, and another that is positively rodentian! Seeing this mini-zoo, the "mutant gerbil" that appears in Dr Astatsaturyan's book in the section on Caucasus imitations is not so outlandish after all!

I totally agree Philip, these zoomorphic renditions in these assemblages of chiseled markings would make Picasso proud! The plate from Wagner is misleading, as it purports that there was some sort of chronological progression with these 'wolf' marks by placing date years on them. In fact, these were stylized because of the 'freehand' application by workers who were simply complying with the apparent requirement of placing a 'wolf' on the blade.
I think that in the case of the 'perrillos' it was very much the same, and I have seen a plate of examples drawn from a number of smiths in Spanish context which display the same 'range' of depiction.

In discussions, Oakeshott (1962) mentions that in many cases it is hard to tell what creature is depicted, and notes others such as unicorns were depicted in similar 'creativity'.
In his discussions of Sudanese kaskara, Reed (1987) notes a Darfur chieftain examining a 'wolf' mark on one of these blades, and thought it represented a hippopotamus!!

Its really great to have you writing here again Philip!!!!