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#11 | |
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Join Date: Jun 2009
Posts: 1,295
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For description of them I will use the Javanese terminology, becouse it is the most complete and most familiar one. I have chosen the picture of Barry's kris, becouse it is the single one most correct picture to analyse the features. The way Kembang (Sekar) Kacang/Tikel Alis/Blumbangan/Gandhik/Jalen Area is arranged on all three krisses is almost identical and absolutely sufficient to understand them as the same variety (arrow 1): Tikel Alis falls extremely deep into the Blumbangan (you will never see something similar on other krisses or kerisses), actually it falls deeper then the point where Jalen starts; the outer ridge of Tikel Alis continues the Tampingan; Gandhik is an extremely falling/sloping one; the way Kembang Kacang is cut is very similar if not identical, despite Carlos' kris not having a Jenggot. A very interesting point is the indentation on Gonjo (arrow 2). It seems not to reserved for a clamp (like on Moro krisses), becouse it continues the (falling)Tampingan perfectly. A purely esthetical pupose? The Kepet Urang (Buntut Mimi) of Gonjo (arrow 3) is bent up (or perhaps carved this way on museum's kris), something that does not appear often on Moro kris. I must say, Carlos' kris is perhaps the crudest one of these three: there is a material left for Greneng and Jenggot, yet these these aren't cut out; no separate Gonjo. All three krisses are narrow, the waved ones (Carlos' and museum's) do have the same kind of waves with long tip. I also don't understand, why do you say Barry's kris has overall a higher resemblance to Moro kris blades. Actually, becouse of Wangun (widening of the blade towards the tip), its overall shape doesn't resemble a straight Moro kris at all. To your examples: I don't see much similarities with the three former krisses, actually almost none. The Ebay example is superficially similar, becouse of more elaborate features, yet that's all. The Kembang Kacang/Tikel Alis/Blumbangan/Gandhik/Jalen Area is completely different worked, these is also a huge Bawang Sebungkul-like feature missing in all three former examples. The overall shape of the kris is a completely other one. For the second example, I miss any similarity. The third example has Moro/Javanese inspired Greneng, bent (or worked like it) Kepet Urang (like arrow 3) and the indentation on Gonjo (like arrow 2), yet here I think possibly has been a clamp. Here are some similarities, yet by far not so close as in-between the former three krisses. A diagram for the features of base of blade: http://kerisattosanaji.com/kerisdiagram.html Last edited by Gustav; 18th April 2013 at 10:07 AM. |
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