Next keris from Polish Museum

Boedhi Adhitya · 15th June 2005, 06:13 AM

Dear Wolviex,
Making a keris handle might be easy, and might be hard, just like the painting

Every children might be able to draw something on paper, but only master painter who could make a Monalisa. Some good and talented painter might copy the Monalisa, but if we compare it head-to-head, some experts in painting might say something, don't they ? I didn't say that every good painting must look like Monalisa, but it is "the character" which make some artwork different than another. Just like any good song will bring "a mood" to you when you hear it. The same thing applied to the perfect, state-of-the art handle. It is neither the details nor the shape which make it hard to make. It is "the nuance", "proper balance", "character" or anything, you might name it, which is hard to reach. It takes talent, experience, skill, and most of all, it takes times. Old days mastercarvers or sheathmakers were fully supported by the court. They made their work while "on the mood", as any other artworks. Today carver work "on the need", or according to "the market", not the quality. And anyway, only a little, ridiculously paying attention to details collectors / keris' connoiseurs who might (and able to!) appreciate those "state-of-the art" handle, while they very little in quantity and not willing to pay more for newly made handle, so why bother ?

I believe, by studying a lot of good old handles, a young, capable and talented carver might able to make the good ones. But studying more than one style is very hard, because "the character", "proper balance" or anything (as you name it before

) particular to one style might mixed up one-another, and "confuse" the carver. Just like a rocker try to compose some middle-east song might ended up on an alternative ones

For the second question, well, I do sorry, I have no other opinion than what have been posted here before. Yes, it's unique and rare. I might have seen it, but didn't pay any attention

Sorry, my fault. Until today, I'm only paying attention to what called "pakem" (conform to the rule) handle, especially Jogja's Pakem. I agree to Meneer Cedric that this hilt might came from east java, the "pasisiran", which considered as "out of the court" in 16th. c. But not the blade ! It might be court made !

About the dating, I agree that Sier Jensen's method is very reliable, althought not accurate enough, it might means a lot. (as long as no one faked the inventory note, of course

). I myself do question the traditional dating methods (Tangguh). Is it really as old as it says ? But, well, no other methods. Even the Sonobudoyo Musem in Jogjakarta asked Pametri Wiji to date their keris collections. Wish some experts on dating, Iron dating particularly, might find another, non-destructive preferably, reliable method.

Salam.

Thread Tools	Search this Thread
Show Printable Version Email this Page	Search this Thread: Advanced Search
Display Modes
Switch to Linear Mode Switch to Hybrid Mode Threaded Mode

15th June 2005, 06:13 AM	#9
Boedhi Adhitya Member Join Date: Apr 2005 Posts: 103	Dear Wolviex, Making a keris handle might be easy, and might be hard, just like the painting Every children might be able to draw something on paper, but only master painter who could make a Monalisa. Some good and talented painter might copy the Monalisa, but if we compare it head-to-head, some experts in painting might say something, don't they ? I didn't say that every good painting must look like Monalisa, but it is "the character" which make some artwork different than another. Just like any good song will bring "a mood" to you when you hear it. The same thing applied to the perfect, state-of-the art handle. It is neither the details nor the shape which make it hard to make. It is "the nuance", "proper balance", "character" or anything, you might name it, which is hard to reach. It takes talent, experience, skill, and most of all, it takes times. Old days mastercarvers or sheathmakers were fully supported by the court. They made their work while "on the mood", as any other artworks. Today carver work "on the need", or according to "the market", not the quality. And anyway, only a little, ridiculously paying attention to details collectors / keris' connoiseurs who might (and able to!) appreciate those "state-of-the art" handle, while they very little in quantity and not willing to pay more for newly made handle, so why bother ? I believe, by studying a lot of good old handles, a young, capable and talented carver might able to make the good ones. But studying more than one style is very hard, because "the character", "proper balance" or anything (as you name it before ) particular to one style might mixed up one-another, and "confuse" the carver. Just like a rocker try to compose some middle-east song might ended up on an alternative ones For the second question, well, I do sorry, I have no other opinion than what have been posted here before. Yes, it's unique and rare. I might have seen it, but didn't pay any attention Sorry, my fault. Until today, I'm only paying attention to what called "pakem" (conform to the rule) handle, especially Jogja's Pakem. I agree to Meneer Cedric that this hilt might came from east java, the "pasisiran", which considered as "out of the court" in 16th. c. But not the blade ! It might be court made ! About the dating, I agree that Sier Jensen's method is very reliable, althought not accurate enough, it might means a lot. (as long as no one faked the inventory note, of course ). I myself do question the traditional dating methods (Tangguh). Is it really as old as it says ? But, well, no other methods. Even the Sonobudoyo Musem in Jogjakarta asked Pametri Wiji to date their keris collections. Wish some experts on dating, Iron dating particularly, might find another, non-destructive preferably, reliable method. Salam.