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Old 3rd June 2020, 03:44 AM   #21
Nihl
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Not to intentionally throw a wrench in the discussion here and completely switch the current focus of thread, but gentlemen I'd like to point out one key element here: the katar in question does not have a single set of triple orbs anywhere on it. Don't get me wrong, given my own skepticism/cynicism of a possible Tipu-related attribution, I much prefer the idea that it is related to this Chintamani design, however I find it hard to ignore that it is missing the (arguably) most significant & identifying aspect of that design: the three dots. The katar in question, quite simply, is covered in waves. No dots/circles/orbs to be found anywhere on it. Clicking on the pictures on the auction website will actually open a new window where one can view them at astonishingly high resolution, however nowhere in these high-res images can three dots, stacked in that distinctive turkic "chintamani" style, be gleamed.

Apologies if I'm being too cynical/narrow-minded here to see that the waves featured on this katar are emulating chintamani and only chintamani styling, but as far as I see it my suggestion that the decorator/commissioner of this katar simply liked waves is still valid. Although yes, I am aware they could have been influenced by the chintamani style, I am still of the opinion that the waves featured are too ambiguous to be so specifically attributed.
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