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Originally Posted by Ibrahiim al Balooshi
I confess to not knowing what style of wootz is the blade...maybe as you point out.
The pearl slots are empty...but the access holes into which the pearls are placed are visible... I assume the pearls fell out of this one...
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Hello Ibrahiim,
I think you are taking the round technological holes at the endings of the fullers as access holes. If you examine the photos more carefully, you may notice there is absolutely no space in the fullers to hold anything, and the round holes at the end of the fullers where made there simply to facilitate the chiseling of the fullers and give them a round, well defined and precise ending. When chiselling the fullers, it is very easy to precisely control the starting point as it is the point where you place the chisel and start applying the force. However, it is rather difficult to control the ending point since the application of force on the chisel cannot be stopped with sufficient precision. Therefore, the necessity to have some holes drilled where the fullers should end, in order to use them as "chisel stoppers." That's why the fullers have those holes at only one end. Of course the problem of giving the fuller a precise stop can also be handled by starting the chiselling from both ends.
Another explanation may be that the fullers were not chiseled at all but they were milled along the blade with a rotating power tool. In that case, the holes would mark the entry point of the milling cutter. If this is the case, then the whole blade is nothing but a modern reproduction...
... and now... after giving you this explanation, I became quite sure the fullers were milled with a power tool, and not chiseled in the traditional way. The fact they are not straight and their depth varies considerably, seems to point in that direction.
My conclusion: the blade is a modern fake!
Besides, the grooves for the "tears of the wounded" were normally chisseld through the whole thickness of the blade, so they were piercing the blade from side to side.
Regards,
Marius