Ethnographic Arms & Armour - View Single Post - Caravaggio - paintings of armor and edged weapons 1590s-1610

shayde78 · 21st August 2020, 09:57 PM

David with the Head of Goliath; c. 1609/1610

Here we see Caravaggio revisit the subject of David's triumph over the giant Goliath. As I said in the previous post, there is some dispute as to this or the St. Ursula painting being his final work. However, since Caravaggio once again used this opportunity to paint a self-portrait of himself as the vanquished Philistine, I thought it fitting to close out with his portrayal of his own mortality. The artist died, possibly of being poisoned in 1610.

The sword held by David, which following the narrative was Goliath's sword, is a robust blade in with an interesting swept hilt. One can even make out the hints of an inscription in the fuller. It reminds me of when I post pictures on here and you all ask for clearer photos! You can almost make out what is written, but not quite. Still, it is a good picture to close out with because it shows that Caravaggio either had a great familiarity with such weapons and/or had access to such examples to use as props in his sittings. Either way, it speaks to the faithfulness with which he captured details.

21st August 2020, 09:57 PM	#16
shayde78 Member Join Date: Mar 2017 Posts: 443	David with the Head of Goliath; c. 1609/1610 David with the Head of Goliath; c. 1609/1610 Here we see Caravaggio revisit the subject of David's triumph over the giant Goliath. As I said in the previous post, there is some dispute as to this or the St. Ursula painting being his final work. However, since Caravaggio once again used this opportunity to paint a self-portrait of himself as the vanquished Philistine, I thought it fitting to close out with his portrayal of his own mortality. The artist died, possibly of being poisoned in 1610. The sword held by David, which following the narrative was Goliath's sword, is a robust blade in with an interesting swept hilt. One can even make out the hints of an inscription in the fuller. It reminds me of when I post pictures on here and you all ask for clearer photos! You can almost make out what is written, but not quite. Still, it is a good picture to close out with because it shows that Caravaggio either had a great familiarity with such weapons and/or had access to such examples to use as props in his sittings. Either way, it speaks to the faithfulness with which he captured details. Attached Images Last edited by shayde78; 21st August 2020 at 10:10 PM.