This thread is almost tied to
http://www.vikingsword.com/vb/showthread.php?t=21833 where many other clues are situated. I reccommend both threads be viewed as there are overlapping and interlinked posts showing fine details of the design influence now being closely observed...As an example of the relevant links here is what could well be the original hilt form of Nimcha swords across all the recognised types. Some accounts describe the shape as a horse head and I do not disagree on that. Clearly the blade has been replaced in all the variants I have viewed and there are different regional variations on add ons alterations and materials on the hilts and Quillons and Knuckleguards but the basic form is retained.
Quote" Pallasch; Culture: blade - Italian, Milan (
with Ottoman decorations), mount - Ottoman, vessel (Hilt?) - Morocco
Dated: 16th Century
Material and Technique: blade of iron, forged, etched and engraved grip of iron, wood, horn
Measurement: total length of 107.7cm; blade 93.9cm; weight 1817g
Elector Christian I of Saxony received the saber as a gift in 1587 by Francesco I de ‘Medici, Grand Duke of Tuscany.
This weapon is one in many respects to the peculiarities of the Turkish Chamber. First and foremost, the impressive appearance is mentioned, which is caused by the massive, ornate edged blade.
This saber is made of very different work areas. While the vessel(hilt?) is from Morocco and the typical form there corresponds with strongly angled work and s-shaped quillons, the blade is an Italian work. She has been a chosen, and was crowned Pi marked accordingly in Milan. (what is Pi ?)
The blade was then decorated in the Orient. The etched and partly engraved decoration consists of medallions with stripes and scrolls, flowers and leaves. The middle stripe is a Spanish inscription found in a secret script-like character.
How did this strange mixture of different origins (come about) is not yet clear. Could possibly play in the events following the reconquest of Spain by 1492. Many Spanish Jews left the country after the conquest of Granada and moved some of North Africa in the dominion of the Ottomans."Unquote.
Source & Copyright: Staatliche Kunstsammlungen Dresden.
When I wrote up this reference I had not suspected as I now do that the influence into and across The Indian Ocean and Mediterranean was because of Ottoman expeditions in those regions however I now have a clearer view that this is the case. It remains a staggering fact that almost 50 styles of Nimcha are shown in Butins charts and that there are even more cloned hilts not yet assessed.
Peter Hudson.
