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Originally Posted by David
I don't know. From what i can see of the pendok in Jean's book (there is no detail shot of it) it would seem a bit of a leap to identify it as coming from the same workshop. Both the stem of this sheath and Jean's pendok use a vegetal pattern, but from what i can see it does not appear to be the same foliage motif. They could very well use the same silver working technique, but i would have to see Jean's example closer to tell. I do agree with Kai that if we are to make such comparisons it would be nice if Jean could upload a photo or two of his pendok to make that easier.
It is interesting though that both these works in silver seem to appear on what we would otherwise assume were Bali keris even if the workmanship of the dress appears otherwise. Is it possible this silverware could be a product of Lombok? Could that explain the other flavors we are detecting in these forms of dress?
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Hello David,
I am not at home so I can only show this pic of my pendok. Athough I see some similarities with the one from Roland (buntut), the style of floral engraving and silver quality are different indeed. I got this piece separately from the kris itself but it was fitted on another Bali/ Lombok scabbard. I would also place the origin of my piece to Lombok or Sumbawa (Bugis influence).
Regards