Jim,
So I still wonder how they were able to vibrate these fighting blades into audible sound as often described. I hope that the experts might explain this as I am not familiar enough with the physical handling of swords in these ways.[/QUOTE]
I'm certainly not an expert, but I do have first hand experience that may be relevant. The sword makers of Kassala (1985) noted the flexing and vibration of certain kaskara when using a snap of the wrist. I later assumed that the blade was forged from high-end spring steel (lorry springs?) that would yield good bending. In fact they noted and demonstrated sword bending almost 90 degrees without taking a set.
A further note likely off-topic, but I just wanted to contribute a not necessarily original observation. The sword in total was a tangible element of dress and a "presentation of self". It seems to me that a blade was "selected" primarily to do the work as a tool, either in war/personal protection or ritual like dancing. European makers marks or those locally applied indicate quality. Script animals like a lion or snake evokes magic for protection.
The grip and scabbard either was left in utility mode of the lower classes or soldiers, but was of an ethnographic style. The style said to others "I am a member of this group". "Gentlemen" and others of higher class/status embellished the ethnic style grip & scabbard to demonstrate their place in society. The blade would usually be of top quality even though they often commanded others to do their fighting.
Think of the gentleman's attire as like a Texas BBQ Pistol. It would be of top quality designed to go armed (manly presentation) and show off among one's peers at a social get-together.
Best,
Ed
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